Ty, a 15-year-old boy, poses for a picture while collecting usable items at a landfill dumpsite outside Siem Reap March 19, 2015. Ty, who finished six-grade primary school, said he makes 5 USD per month working at the dumpsite. (Photo by Athit Perawongmetha/Reuters)

A 180 degrees rotated photograph shows the shadows of Polina (L), a six-year-old Belarusian first grade school girl, and her father, cast on the street while on their way to Polina's first day of school, which marks the traditional start of the academic year, in Minsk, Belarus, 02 September 2019. The start of a new academic year in Belarus, officially called Day of Knowledge, is a festive day for all school and university students in the country. (Photo by Tatyana Zenkovich/EPA/EFE)

Sarah Gibbons grades a new batch of Maple Syrup at Gibbons Family Farm in Frankville, Ontario, Canada, 31 March 2014. The annual maple syrup season marks the end of the often brutal central Canadian winters and heralds the beginning of spring. The maple tree, whose leaf dominates the Canada's flag, plays both a symbolic and practical role in the identity of Canadians who produce around 95 percent of the world's supply of maple syrup. (Photo by Stephen Morrison/EPA)

Russia-backed separatists stand at the site of the crashed Malaysia Airlines Flight 17 plane, near the village of Hrabove, eastern Ukraine, Thursday, July 16, 2015. The fighters said they have arrived to protect the media and make sure the MH17 crash site is clear of ammunition and mines. A year since a Malaysia Airlines Boeing 777 was blown out of the sky over war-ravaged eastern Ukraine, killing 298 people, there has been little official word of progress in determining what brought down Flight MH17. (Photo by Antoine E. R. Delaunay/AP Photo)

A Ka'apor Indian warrior (L) chases a logger who tried to escape after they captured him during a jungle expedition to search for and expel loggers from the Alto Turiacu Indian territory, near the Centro do Guilherme municipality in the northeast of Maranhao state in the Amazon basin, August 7, 2014. Tired of what they say is a lack of sufficient government assistance in keeping loggers off their land, the Ka'apor Indians, who along with four other tribes are the legal inhabitants and caretakers of the territory, have sent their warriors out to expel all loggers they find and set up monitoring camps in the areas that are being illegally exploited. (Photo by Lunae Parracho/Reuters)

“The Reversible Destiny Lofts – Mitaka (In Memory of Helen Keller) is a nine-unit multiple dwelling. It was first completed example of procedural architecture put to residential use. These lofts reflexively articulate the residents’ operative tendencies and coordinating skills essential to and determinative of human thought and behavior; which means to say, the lofts manage, by virtue of how they are constructed, to reveal to their residents the ins and outs of what makes a person, in this case the resident. This is the same set of tendencies and skills to which Arakawa and Madeline Gins gave diagrammatic form in their decades-long research project The Mechanism of Meaning”. – Wikipedia

Photo: The exterior of the concept design home “Reversible Destiny Lofts MITAKA: In Memory of Helen Keller” is seen on October 27, 2005 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)

There isn’t exactly a college out there for face painting so Elsa Rhae Pageler‘s talent is as raw as it comes. Perhaps what’s even more amazing is that the video editor and producer from Kansas City graduated with a degree in Film and Media Studies and only does face painting and airbrushing as a side job. An application may take anywhere from 1 to 3 hours and apart from outside gigs, she features video tutorials on her YouTube channel showing how she paints herself to recreate video game and fictional characters. Photo: “Face Palm”. (Photo by Elsa Rhae Pageler)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)