Turkana tribesmen walk with guns to protect their cattle from rival tribes near Baragoy, Kenya August 4, 2017. (Photo by Goran Tomasevic/Reuters)

Canada's Charity Williams, left, is tackled by United States' Alex Sedrick, center, and Naya Tapper during a Vancouver Sevens women's rugby match Saturday, February 24, 2024, in Vancouver, British Columbia. (Photo by Ethan Cairns/The Canadian Press via AP Photo)

Colombian fans during the International Friendly match between Canada and Colombia at Sports Illustrated Stadium on October 14, 2025 in Harrison, Nueva Jersey. (Photo by Leonardo Ramirez/eyepix via ZUMA Press Wire/Alamy Live News)

England’s Natasha Hunt pours champagne into the mouth of Zoe Aldcroft as she holds the trophy after England beat Canada 33-13 in the Women’s Rugby World Cup final at Twickenham in London on September 27, 2025. England became world champions on Saturday in front of 81,885 spectators at Twickenham’s Allianz Stadium, while overall 444,465 tickets were sold during the tournament. (Photo by Garry Bowden/ProSport/Rex Features/Shutterstock)

Swiss Alisha Lehmann, right, fights for the ball with Czech Republic's Jana Petrikova during the UEFA Women's Euro 2022 play-off 2nd leg qualification match between Switzerland and the Czech Republic at the Stockhorn Arena in Thun, Switzerland, 13 April 2021. (Photo by Alessandro Della Valle/EPA/EFE)

Red Bull's Max Verstappen celebrates with champagne on the podium after winning the Monaco Grand Prix in Monte Carlo on May 28, 2023. (Photo by Stephane Mahe/Reuters)

A tattoo showing the Olympic rings is pictured on the leg of Mexico's Joana Jimenez Garcia during the Women Solo Technical Preliminaries, at the FINA World Championships, in Budapest, Hungary on June 17, 2022. (Photo by Marton Monus/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.