HRP-4C, a five-foot humanoid robot developed at Japan's National Institute of Advanced Industrial Science and Technology, sings and dances with performers at the Digital Contents Expo in Tokyo on October 17, 2010. The robot runs entertainment software called Choreonoid, a name formed from the words “choreograph” and “humanoid”. (Yoshikazu Tsuno/AFP)

Wildlife photographer Danté Fenolio has headed into areas untouched by sunlight – deep seas, caves and underground – and found creatures that are exploding with colour. Here: The golden harlequin toad has vanished from the wild, and only a small number live on in captivity. A fungus caused them, and many other amphibians, to die out in their home in Central America. (Photo by Danté Fenolio/The Guardian/Johns Hopkins University Press)

When it opened in 1955, the Grande Hotel in the Indian Ocean city of Beira was one of the most luxurious in Africa. Photojournalist Fellipe Abreu documents the lives of the 3,500 people who now fill this long-closed hotel to capacity. (Photo by Fellipe Abreu/The Guardian)

Fossil records indicate that this early lizard, Megalania (Megalania prisca or Varanus priscus), was a whopping seven metres in length. They were part of a megafaunal assemblage that inhabited southern Australia during the Pleistocene. The youngest fossil remains date to around 50,000 years ago. The first aboriginal settlers of Australia might have encountered them and been a factor in their extinction. (Photo by Sky TV/The Guardian)

Golden monkeys play at a conservation base in Shennongjia, central China's Hubei Province, January 26, 2018. The golden monkey conservation base witnessed a snowfall recently. (Photo by Du Huaju/Xinhua/Barcroft Images)

A British Airways passenger plane flies in front of the moon above London, Britain, May 3, 2018. (Photo by Toby Melville/Reuters)

“This brought me back. While I was doing my photo shoot this week for Muscle & Fitness, I could practically hear Joe Weider screaming, “Come on Arnold! What’s wrong with you? Pull in the stomach.” Watch for the issue in September!”

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.