Human wax figures to build scenes depicting traditional life in a new museum are seen in Basra, Iraq on June 12, 2023. (Photo by Mohammed Aty/Reuters)

A young migrant runs through the Peace Oasis of the Holy Spirit Amparito shelter where migrants sleep on the floor on mats in Villahermosa, Mexico, late Friday, June 7, 2024. After the head of Mexico's immigration agency ordered a halt to deportations in December, migrants have been left in limbo as authorities round up migrants across the country and dump them in the southern Mexican cities of Villahermosa and Tapachula. (Photo by Felix Marquez/AP Photo)

Julia Lopez Peña, the daughter of slain environmentalist Juan López, poses for a photo with her state-assigned bodyguards at her ninth birthday party in Tocoa, Honduras, December 7, 2024. (Photo by Moises Castillo/AP Photo)

A tourist cools off in front of a misting fan near a venue of the Hozuki-Ichi (Japanese lantern plant fair), at Sensoji temple, in Tokyo, Japan, on July 10, 2025. (Photo by Kim Kyung-Hoon/Reuters)

The Smilovichi Felting Factory in Belarus was founded in 1928, when Smilovichi was a small Jewish settlement of craftsmen. Five of those craftsmen organized a small artel (a cooperative association of craftsmen who all live and work together), which produced warm boots called “valenki” for cold weather. Photo: Belarusian workers works at a felt boot factory in Smilovichi, some 35km from Minsk, Belarus, 16 January 2012. (Photo by Tatyana Zenkovich/EPA)

An incredible view of daytime lightning on Saturn during one of the biggest storms the ringed planet has ever seen has been captured by a NASA spacecraft.

Photo: The huge storm which generated the lightning strike on Saturn can be seen in the top right of this image. (Photo by NASA)

A Berber Moroccan woman, wearing traditional outfits, parades during the “Miss Rose” beauty contest as part of the yearly Rose Festival on May 13, 2016 in the town of Kelaat Mgouna, at the foot of the High Atlas Mountains in Morocco. (Photo by Fadel Senna/AFP Photo)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.