A model is reflected in a mirror as she applies make up backstage during Kazakhstan Fashion Week in Almaty, Kazakhstan, April 19, 2016. (Photo by Shamil Zhumatov/Reuters)

Local residents fight to collect free drinking water from municipal corporation tanker on a hot summer day on the outskirts of Ahmedabad, India June 1, 2016. (Photo by Amit Dave/Reuters)

In this Monday, June 20, 2016 photo, a Palestinian girl plays in a barrel as her mother bakes bread for a Ramadan dinner at their house in el-Zohor slum, on the outskirts of Khan Younis refugee camp, southern Gaza Strip. (Photo by Khalil Hamra/AP Photo)

Bavarian herdsmen and a herdswoman in traditional dresses drive their beasts on a road during the return of the cattle from the summer pastures in the mountains near Oberstaufen, Germany, Friday, September 9, 2016. (Photo by Matthias Schrader/AP Photo)

Children residents take a selfie as they wait for the police to dance, an unconventional approach to connect the police with the community in rough neighbourhoods, as part of the “Tirando Barrio” (Marking territory) programme in Saltillo, Northern Mexico September 9, 2016. T-Shirt reads “Street Dancers”. (Photo by Daniel Becerril/Reuters)

In this November 18, 2015 photo, 9-year-old Mahiro Takano, center, three-time Japan karate champion in her age group practices in Nagaoka, Niigata Prefecture, north of Tokyo. Mahiro stars in singer Sia's latest music video "Alive", the just-released single from the singer's upcoming album. (Photo by Eugene Hoshiko/AP Photo)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)