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Umbrellas are placed over the statute of the Beatles, during a photocall, on Liverpool's waterfront, in Liverpool, England, Wednesday, March 22, 2017. The city of Liverpool is getting set to celebrate the half-centenary of “Sgt. Pepper's Lonely Hearts Club Band”, one of the most influential albums by local heroes The Beatles. (Photo by Peter Byrne/PA Wire via AP Photo)

Umbrellas are placed over the statute of the Beatles, during a photocall, on Liverpool's waterfront, in Liverpool, England, Wednesday, March 22, 2017. The city of Liverpool is getting set to celebrate the half-centenary of “Sgt. Pepper's Lonely Hearts Club Band”, one of the most influential albums by local heroes The Beatles. (Photo by Peter Byrne/PA Wire via AP Photo)
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23 Mar 2017 10:46:00
An upside-down pair of pants is seen atop a mound of snow, Wednesday, February 20, 2019, the result of yet another snow storm to hit Omaha, Neb. The latest winter storm dumped more snow on top of the existing snow, creating a problem of what to do with all the cleared snow. (Photo by Nati Harnik/AP Photo)

An upside-down pair of pants is seen atop a mound of snow, Wednesday, February 20, 2019, the result of yet another snow storm to hit Omaha, Neb. The latest winter storm dumped more snow on top of the existing snow, creating a problem of what to do with all the cleared snow. (Photo by Nati Harnik/AP Photo)
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07 Mar 2019 00:01:00
“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character. He was from Sydney, but he was living downstairs from me in Ladbroke Grove, in a flat rented to some gay friends. It was fairly eclectic. Jasper was always playing around with clothes and makeup. If he was looking particularly wonderful, I might get out my lights and take a shot. Or he might put makeup on me. He wasn’t always in drag, but he was permanently in diva mode, dependably louche, funny and naughty. I think all that comes across in the image. He was actually a very delicate person, though, beneath the wit and flamboyance. Jasper floated through London all too briefly. His real name was Peter MacMahon, but to us he was only ever Jasper Havoc, an alter ego he’d created while part of a transvestite troupe called Sylvia and the Synthetics. They were legendary in Sydney gay culture. On this day, we’d been taking some pictures inside and had gone out into the streets to fool around some more. Jasper was wearing a corset and fishnets ensemble, with other bits and pieces, and we joked about him being trashy as he lay in the skip. We just took the shot for ourselves. It wasn’t done with any publication in mind, or anything else. This was way before the internet and people didn’t share images. If you dressed up, it was just for that moment”. (Photo by Jane England)

“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)
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26 Jun 2017 09:04:00
Where Children Sleep By James Mollison Part 1

Where Children Sleep – stories of diverse children around the world, told through portraits and pictures of their bedrooms by James Mollison. This is a selection from the 56 diptychs in the book (Chris Boot November 2010). The book is written and presented for an audience of 9-13 year olds ‘ intended to interest and engage children in the details of the lives of other children around the world, and the social issues affecting them, while also being a serious photographic essay for an adult audience.
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14 Apr 2014 13:37:00
“Telemachus”. Farragut Street, New Orleans, La. Nov. 2006. (Photo by Frank Relle)

Photographer Frank Relle takes long-exposure images of houses in New Orleans. Says Relle, “The city at night comes alive for me. I imagine stories about the people’s lives inside the homes based on the evidence on the outside. My photographs become a portrait without the person. The night obscures details and the lack of information gives possibility”. Photo: “Telemachus”. Farragut Street, New Orleans, La. Nov. 2006. (Photo by Frank Relle)
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13 May 2014 08:59:00
Afghan men escape increasing summer temperatures by wading in the Qarga reservoir on July 9, 2010 in a suburb of Kabul, Afghanistan. (Photo by Majid Saeedi/Getty Images)

“Life in War” (FotoEvidence Press) by Iranian photographer Majid Saeedi is probably the only book about Afghanistan that doesn’t show images of war. For ten years his camera photographed daily life in the context of war. His photographs reveal the humanity of a people living through decades of war. Here: Afghan men escape increasing summer temperatures by wading in the Qarga reservoir on July 9, 2010 in a suburb of Kabul, Afghanistan. (Photo by Majid Saeedi/Getty Images)
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17 Oct 2014 12:07:00
Kenguru Electric Car For Disabled People

Never before was there a car designed exclusively for handicapped people that can only move around in a wheelchair. In the past, such people had to rely on others to drive them. Thus, it was impossible to be spontaneous and drive somewhere on a whim. Now, however, a completely revolutionary vehicle has been invented. Kenguru electric car allows for the person to roll into the back of it right on their wheelchair, strap in, and start driving. Though this vehicle might not be very fast with the maximum speed of 25 mph, it is will certainly make the lives of countless people much easier. (Photo by Kenguru.com)
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20 Oct 2014 08:38:00
“Natural History”: Tiger. (Photo by Traer Scott)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)
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27 Oct 2014 11:39:00