Students with torches protest against the alleged encroachment of Nepal border by India in far west of Nepal, during the 49th day of a lockdown imposed by the government amid concerns about the spread of the coronavirus disease (COVID-19), in Kathmandu, Nepal on May 11, 2020. (Photo by Navesh Chitrakar/Reuters)

A young man looks over his shoulder as men watching a soccer match in a nearby bar ask why he isn't watching the game, while walking with his date during the men's gold medal soccer match between Brazil and Germany during Rio 2016 on Saturday, August 20, 2016. (Photo by Aaron Ontiveroz/The Denver Post)

Blankets cover the bodies of a woman (right) and a man (left background) hit by a northbound Penn Central train (background) as they waited with a crowd at Pennsylvania Railroad station in Elizabeth, N.J. on June 8, 1968 to view the southbound train carrying the body of Sen. Robert F. Kennedy to Washington. The woman was identified as Mrs. Antoinette Severini, 54, and the man, John Curia (age unavailable), both of Elizabeth. (Photo by AP Photo)

French mounted bullfighter Lea Vicens is gored by her first bull and falls off her horse during the 31st day of the San Isidro bullfighting festival at Las Ventas bullring in Madrid, Spain, 10 June 2017. (Photo by Victor Lerena/EPA)

On Set with David Bowie and Tilda Swinton. A photo taken by Director Floria Sigismondi on set of The Stars (Are Out Tonight), featuring Tilda Swinton.

These stunning sand sculptures are being used to encourage youngsters to explore their surroundings and play in the dirt. (Photo by OMO Lowe)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.