Dancers from Kyiv and Dnipro preparing themselves in the wings for a performance at the Kyiv National Opera House on June 24, 2022. (Photo by Julian Simmonds/The Guardian)

A statue of former U.S. President Donald Trump is pictured at the Conservative Political Action Conference (CPAC) in Orlando, Florida, U.S. February 26, 2021. (Photo by Octavio Jones/Reuters)

A woman poses for a photo in front of an installation to promote the film “Godzilla Minus One”, which won the Oscar for best visual effects at the Academy Awards in Los Angeles, outside a popular shopping centre and official development in the Hibiya area of Tokyo on March 11, 2024. (Photo by Richard A. Brooks/AFP Photo)

This watering hole is the social hub of the veldt; the scrubby grasslands that stretch across Namibia. The scorched earth supports sometimes fragile populations of magnificent wildlife – from endangered predators to plentiful herds of game. But these gentle giraffes and elephants need to be careful: lions don’t sleep at night, they hunt! The spectacular starscape above southern Africa is unchanged since explorers first mapped the continent. The photographer, Pietro Olivetta from Italy, said he had to be patient to capture these shots – but it was worth the wait. (Photo by Pietro Olivetta/Caters News)

Tube passengers take a selfie next to a London underground roundel designed for the launching of the Night Tubes on display at Oxford Circus underground station in London, Britain, 19 August 2016. The long delayed Night Tubes service launched on 19 August. The 24-hour service will operate on Fridays and Saturdays. (Photo by Hannah Mckay/EPA)

Stunning images show the rolling splendor of the "iceberg capital of the world" under auroras. The photographer even includes himself in many of the shots – a signature of his that offers a fresh take on the conventional selfie, as well as providing a sense of scale to his works. Ziskas shot the photographs over a 10-day visit to western Greenland in September. Here: the photographer even includes himself in many of the shots – a signature of his that offers a fresh take on the conventional selfie, as well as providing a sense of scale to his works. (Photo by Paul Zizkas/Caters News)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)