A model takes a picture of photographers outside the Anna Sui show at the Strand Rare Book Room in New York on February 10, 2024. (Photo by Jeenah Moon for The Washington Post)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Dancer Megan changes costume as she performs in the review “Feerie” at the Moulin Rouge in Paris, France, July 3, 2018. Each show requires 1,000 outfits, all crafted in the workshops that have been supplying the Moulin Rouge for decades. Each dancer has to make between 10 and 15 costume changes per show, with about 90 seconds to complete each one before they have to be back out on stage. (Photo by Philippe Wojazer/Reuters)

Protesters wearing inflatable breasts stand outside Facebook's headquarters in central London on Wednesday September 1, 2021, to complain about the social media giant's images algorithm. The aim of the event is for all medical tattoo artists and breast cancer survivors to be able to freely post images without the pictures being removed and the accounts blocked. (Photo by Ian West/PA Images via Getty Images)

In this September 30, 2017 photo, people perform “transvestite target practice” to protest the killings of transvestite prostitutes during the annual LGBQT march in Asuncion, Paraguay. Advocacy groups fear the stigma and attacks against the LGBQT community could get worse now that the country's education minister has banned classes about sexual diversity in schools and even volunteered to help burn all books related to the subject. (Photo by Jorge Saenz/AP Photo)

In this photo taken on Sunday, March 15, 2015, a Nenets woman rides steers a sled during a reindeer race at the Reindeer Herder's Day in the city of Nadym, in Yamal-Nenets Region, 2500 kilometers (about 1553 miles) northeast of Moscow, Russia. For the indigenous nomadic Nenets people, the Reindeer Herder's Day offers a chance to show their prowess in wrestling, high jumps and other traditional local sports, but, above all, reindeer races. (Photo by Dmitry Lovetsky/AP Photo)

The unromantic gypsies. Children boxing in a gypsy camp in Kent, England on July 1, 1951. Like all boys these gypsy lads like to try their hand at boxing. Encouraged by their friends they fight it out on Corke's Meadow. Few Romanies now live a life of wandering romance. Most are like the three hundred squatters of Corke's Meadow, Kent, which is part of a “gypsy problem” that involves about 100,000 today. Of those about 25,000 can be rightly called gypsies, the rest are Mumpers and Posh-rats and Hobos. Corke's Meadow has both kinds. “Picture Post” cameraman Bert Hardy photographs the Corke's Meadow gypsies in their encampment. (Photo by Hulton-Deutsch Collection/Corbis via Getty Images)

All the people we meet, all the things we know, and all of our experiences shape our souls, forever marking our faces. This was probably the main idea of the performance piece created by Chinese artist Zhang Huan, in which his face was painted over by three calligraphers with the names of people he knew, personal stories, and random thoughts. Truly, it amazing just how much we can find out about a person just by looking at their face. Surely, not everyone has the ability to see into the soul of the person just by looking at their face, but those that do can easily see the person’s personality, their intelligence, and sometimes even get glimpse into their past. Though it sounds like magic to people who don’t have this ability, it is completely true. Somehow, our mind can pick up on the miniscule changes of the facial structure and figure out the dominant facial expressions of that person. (Photo by Zhang Huan)