There is something strangely appealing about the set of pictures created by Sandro Giordano in a series “In Extremis (Bodies With No Regret)”. Could it be the absurdity of the situation? Or the fact that our brain tries to make up some bizarre story to justify what is happening in the pictures? Of course it is impossible to explain why a pair of tennis players ended up lying flat on the ground with a pack of bananas hanging on the net, even if we forget about the tennis racket lodged in the neck of one of the players. Nevertheless, it is fun to recreate these scenes in your mind just seconds before the tragedy took place. (Photo by Sandro Giordano)

The illustrations created by Joao Carvalho are not just simple 3D drawings. By making it look as if various characters were drawn on regular note book paper, Joao fools our minds into thinking that the flat objects we see on the picture are actually 3-dimentional. To create these pieces of art, Joao first draws the lines of the “notebook” paper already bent, as if they stretch over the object that is about to be drawn. Then he applies shading and his masterpiece is all done! By looking at his pictures it is almost impossible to view them not as simple 2D drawings, but as real 3D objects. (Photo by Joao Desenhos)

The Tree Projects team spent 67 days documenting one eucalyptus regnans in the Styx valley of Tasmania. Using a combination of tree-climbing and elaborate arboreal rigging techniques, they produced an intimate portrait from an impossible perspective of one of the world’s largest individual flowering trees, which goes by several common names. These photos document the process that resulted in an extraordinary ultra high-definition photograph. Here: Haley nears the top of the tree. (Photo by Steven Pearce/The Tree Projects/The Guardian)

“Only the most intrepid urban explorers cross the tattered ruins of the old Iron Curtain to endure the excessive bureaucracy, military paranoia and freezing winds of the East to hunt for the ghosts of an empire. Rebecca Litchfield is one who couldn't resist the haunting allure of the ruins of the Soviet Union”. – Yahoo News. Photo: Hungary, MAV 424 Steam Train. (Photo by Rebecca Bathory)

HIV-positive 71-year-old Sylverio Hachiploa (R) talks with caregivers Glandwel Muleya (L) and Sister Abigail Mwaka Mazuba (C) in his thatched hut during a visit by a home-based care team in the village of Nedwmba, south of the Chikuni Mission in the south of Zambia February 23, 2015. The caregivers in the Jesuit-run home-based care project at the Chikuni Mission run a capacity-building and empowerment project at the household level, offering training and assistance in crop-growing and animal rearing, as well as offering companionship, pastoral care and monitoring of the antiretroviral treatment compliance of HIV-AIDS patients. (Photo by Darrin Zammit Lupi/Reuters)

This February 7, 2018, photo shows João Lousada, a flight controller for the International Space Station, wearing an experimental space suit during a simulation of a future Mars mission in the Dhofar desert of southern Oman. The desolate desert in southern Oman resembles Mars so much that more than 200 scientists from 25 nations organized by the Austrian Space Forum are using it for the next four weeks to field-test technology for a manned mission to Mars. (Photo by Sam McNeil/AP Photo)

Karezoid Michal Karcz is a photographer from Warsaw, Poland. He first started with painting, which helped him to develop a vision that was hard to create with other visual techniques. Then in early 90s discovered photography. His early fascinations of painting and photography have been combined into one piece, with the use of digital tools. Digital photography gave him the opportunity to generate unique realities that were impossible to be created with an ordinary dark room techniques.

Andrew Ferez, born and raised in Russia is an artist who inherited his creativity and interest in the arts early on and trained his artistic skills and knowledge ever since, in a never-ending process.
Andrew’s genre is a mix between macabre and horror with a poetic hint. His illustrations transports us into the deepest recesses of our mind, showing us impossible worlds that are both scary yet surprisingly familiar or enticing. Most of his artworks are two dimensional but in some of his latest artworks he used the help of some 3D software as well.