Andrew Ferez, born and raised in Russia is an artist who inherited his creativity and interest in the arts early on and trained his artistic skills and knowledge ever since, in a never-ending process.
Andrew’s genre is a mix between macabre and horror with a poetic hint. His illustrations transports us into the deepest recesses of our mind, showing us impossible worlds that are both scary yet surprisingly familiar or enticing. Most of his artworks are two dimensional but in some of his latest artworks he used the help of some 3D software as well.

These are some of the Real Doll bodies made by Abyss Creations being assembled in the factory on Tuesday, September 12, 2017 in San Marcos, California. Customers can dictate their partner’s character by choosing between 18 personality traits including shy, sensual, jealous, moody or talkative. (Photo by Eduardo Contreras/San Diego Union-Tribune via ZUMA/Rex Features/Shutterstock)

The War in Abkhazia from 1992 to 1993 was fought between Georgian government forces for the most part, and Abkhaz separatist forces, Russian armed forces and North Caucasian militants. Ethnic Georgians who lived in Abkhazia fought largely on the side of Georgian government forces. Ethnic Armenians and Russians within Abkhazia's population largely supported the Abkhazians, and many fought on their side. The separatists received support from thousands of North Caucasus and Cossack militants and from the Russian Federation forces stationed in and near Abkhazia. Here: Abkhazia. Sukhumi, 1993. A house-to-house combat. (Photo by Andrei Solovyov/ITAR-TASS)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

Romanian riot police detain a man, face covered in blood, after minor clashes erupted during a protest in Bucharest, Romania, Thursday, February 2, 2017. Brief clashes broke out between protesters and police in Romania¹s capital, as tens of thousands of people protested for the second night a government decision to decriminalise official misconduct. (Photo by Vadim Ghirda/AP Photo)

Joseph Szabo was a frustrated high-school teacher in need of inspiration – so he started photographing his students, and captured all the angst and excitement of being caught between childhood and adulthood. Here: “Priscilla”, 1969. (Photo by Joseph Szabo/Courtesy of Michael Hoppen Gallery/The Guardian)

When he's driving, New York-based painter Gregory Thielker takes in the views that change from moment to moment: the road, the sky, other cars. “Inside the car it's easy to forget the outside temperature, humidity, the noise of the road”, he says. “But something happens when rain interrupts the view: the lens through which we are seeing is revealed. Water both obscures and highlights the landscape”. Gregory Thielker's exhibition “Between here and now” will be at Castor Gallery in lower Manhattan from early March. Here: “Complete Stop”. (Painting by Gregory Thielker)

In a remote location in rural America, a photographer has discovered a rather unique gathering: row after row of presidential busts. Like a zombie graveyard, the field contains 43 gigantic sculptures, ranging from Dick Nixon and FDR to JFK and Honest Abe. The likenesses weigh between 11,000 and 20,000 pounds, with some standing as tall as 20 feet. Almost all the busts are cracked, crumbling and worn by the elements, adding to their eerie appearance but not preventing the presidents from being recognizable at first glance. Here: Abraham Lincoln in front of presidential busts. (Photo by David Ogden/Caters News)