The Invasion. A quiet street in Macau. Modernization around is quickly changing the city, as documented by Paul Tsui. (Photo by Paul Tsui/National Geographic Travel Photographer of the Year Contest)

Migrants try to board a truck at Ouistreham ferry port in the hope of reaching the UK on September 12, 2018 in Ouistreham, France. After the clamp down at Calais many young migrants are seeking out new routes to the United Kingdom as stowaways on vehicles making the channel crossing by ferry from French ports. The migrants, of mostly African origin, camp out on the roadside and woodland areas as the authorities prevent the setting up of any camps. (Photo by Christopher Furlong/Getty Images)

In this photo taken Wednesday, March 8, 2017, a woman herder sits with her goats in a remote desert area near Bandar Beyla in Somalia's semiautonomous northeastern state of Puntland. Somalia has declared the drought a national disaster, part of what the United Nations calls the largest humanitarian crisis since the world body was founded in 1945, and with animals being central to many the drought threatens their main sources of nutrition and survival. (Photo by Ben Curtis/AP Photo)

A woman looks at artwork called “Alphabetti Spaghetti” by British sculptor Alex Chinneck, one of a series of “knotted” postboxes, installed as part of a public art trail for Kensington & Chelsea Art Week on October 3, 2020. (Photo by Victoria Jones/PA Images via Getty Images)

A monolith placed in the Utah wilderness in November 2020. New clues have surfaced in the disappearance of the gleaming monolith that seemed to melt away as mysteriously as it appeared in the red-rock desert. A Colorado photographer told a TV station in Salt Lake City that he saw four men push over the hollow, stainless steel structure last Friday night. (Photo by Terrance Siemon/AP Photo)

A curious trio of owl monkeys peep out of a tree hollow on the Marañón River near the city of Nauta, Peru in April 2024. (Photo by James Cai/Solent News)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

A woman wearing a gown hands out campaign leaflets to a coconut juice vendor during a Santacruzan-themed house-to-house campaign for Philippine Vice President and presidential candidate Leni Robredo, in Quezon City, Metro Manila, Philippines, May 5, 2022. (Photo by Lisa Marie David/Reuters)