Loading...
Done
“I’m not scared of breaking the fourth wall”, Wallace has said of the photos where the subject is clearly aware of him taking the shot. “If they are looking at you in a photograph most photographers will think, oh, that’s not a good image. (But) people like to be involved and in the picture. You can see what they are thinking, see them talking”. (Photo by Dougie Wallace/The Guardian)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)
Details
13 Jul 2016 13:50:00
Restive woman driving. (Photo by Cultura Creative (RF)/Alamy Stock Photo )

Restive woman driving. (Photo by Cultura Creative (RF)/Alamy Stock Photo)
Details
31 May 2017 07:01:00
Highly commended, mammals: Gelada after the storm – Marco Gaiotti (Italy). “Gelada baboons are the only monkey species in the world that feed on grasses. They are native to the tableland of Ethiopia. Every morning large family groups wander from their sleeping places in the steep rock face, up to 1,000 metres high, to the feeding grounds at the tablelands. This image clearly depicts their feeding strategy: they pull out bunches of grass, sort the stalks and then lift them to their mouth. This shot was taken towards the end of the rainy season after a heavy storm”. (Photo by Marco Gaiotti/2019 GDT European Wildlife Photographer of the Year)

Highly commended, mammals: Gelada after the storm – Marco Gaiotti (Italy). “Gelada baboons are the only monkey species in the world that feed on grasses. They are native to the tableland of Ethiopia. Every morning large family groups wander from their sleeping places in the steep rock face, up to 1,000 metres high, to the feeding grounds at the tablelands. This image clearly depicts their feeding strategy: they pull out bunches of grass, sort the stalks and then lift them to their mouth. This shot was taken towards the end of the rainy season after a heavy storm”. (Photo by Marco Gaiotti/2019 GDT European Wildlife Photographer of the Year)
Details
31 Oct 2019 00:03:00
Snakes are collected and rolled before putting into the oven on March 2, 2014 in the village of Kertasura, Cirebon, Indonesia. (Photo by Nurcholis Anhari Lubis/Getty Images)

Snakes are collected and rolled before putting into the oven on March 2, 2014 in the village of Kertasura, Cirebon, Indonesia. At slaughter house snake skins measuring in the hundreds of metres, are sold to bag factories in the West and Central Java provinces on a monthly basis. From snake skin was manufactured into bags, shoes, wallets and belts. The price of a bag made from snake skin costs between 150,000 rupiah ($15 USD) and 300,000 rupiah ($30 USD), depending on its size. When snake skins reach Western fashion houses their price can increase dramatically and sell for up to $4,000 USD. (Photo by Nurcholis Anhari Lubis/Getty Images)
Details
05 Mar 2014 07:31:00
A girl dances in front of the digital art installation “Light in Dark” created by teamLab, a collaborative of Japanese digital artists, during a special exhibition of “Shake! Art Exhibition! and Learn and Play! teamLab Future Park” at National Museum of Emerging Science and Innovation (or Miraikan) in Tokyo, Japan, 19 January 2015. The exhibition is held through 01 March 2015. (Photo by Kimimasa Mayama/EPA)

A girl dances in front of the digital art installation “Light in Dark” created by teamLab, a collaborative of Japanese digital artists, during a special exhibition of “Shake! Art Exhibition! and Learn and Play! teamLab Future Park” at National Museum of Emerging Science and Innovation (or Miraikan) in Tokyo, Japan, 19 January 2015. The exhibition is held through 01 March 2015. (Photo by Kimimasa Mayama/EPA)
Details
06 Feb 2015 12:51:00
With the United Nations and Tudor City in the foreground, lightning strikes in the sky over the East River as a major storm approaches New York City July 2, 2014. Tropical Storm Arthur, the first of the Atlantic hurricane season, gathered strength July 20, 2014 and would likely reach hurricane strength over the next couple of days. (Photo by Timothy A. Clary/AFP Photo)

With the United Nations and Tudor City in the foreground, lightning strikes in the sky over the East River as a major storm approaches New York City July 2, 2014. Tropical Storm Arthur, the first of the Atlantic hurricane season, gathered strength July 20, 2014 and would likely reach hurricane strength over the next couple of days. (Photo by Timothy A. Clary/AFP Photo)
Details
04 Jul 2014 10:32:00
Women dance in costume during the West Indian Day Parade in Brooklyn, New York September 7, 2015. (Photo by Andrew Kelly/Reuters)

Women dance in costume during the West Indian Day Parade in Brooklyn, New York September 7, 2015. The parade, which takes place annually, celebrates Caribbean culture and history. (Photo by Andrew Kelly/Reuters)
Details
08 Sep 2015 11:56:00
The American artist’s work encompasses fashion, photography and film with characteristically vivid colour and unsettling theatricality. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)
Details
15 Jun 2018 00:01:00