First place, Portrait. Three flat-coated retrievers – Crew, Darcie and Pagan – by Carol Durrant from the UK. (Photo by Carol Durrant/Dog Photographer of the Year 2018)

A ballet dancer brushes on blush as she prepares for a street ballet performance in Mexico City, Saturday, July 28, 2018. In this sprawling megalopolis notorious for its clogged streets, a theater company sent out tutu-clad dancers out to delight motorists at snarled intersections with snippets from ballet classics like “The Nutcracker” and “Swan Lake” all in the 58 seconds it takes for the light to go from red to green. (Photo by Emilio Espejel/AP Photo)

Barbara Peacock is one of five recipients of the Getty Images annual Grants for Editorial Photography programme, which gives photojournalists an award of $10,000 as well as the agency’s support in pursuing projects of their choosing. American Bedroom is an ongoing series of portraits in which she explores the complexities and idiosyncrasies of contemporary American life. Here: Jessica, Milford, New Hampshire: “Sometimes life throws you in all sorts of directions. The most important part about life is to remember you are exactly where you need to be”. (Photo by Barbara Peacock/Recipient of the Getty Images Grant for Editorial Photography 2017)

In this photograph taken on December 8, 2017, Indian child Samarth Bangari, 2, plays with langur monkeys at his home in Allapur in India' s southwest Karnataka state, 250 miles from Bangalore. He is still too young to talk, but a 2- year- old Indian boy has become a subject of local intrigue after befriending a gang of langur monkeys. (Photo by Manjunath Kiran/AFP Photo)

Merfolk gather at MerMania 2017, the world's largest gathering of amateur and professional mermaids and mermen in North Carloina, USA on January 21, 2017. (Photo by Brian Cahn/ZUMA Wire/Rex Features/Shutterstock)

An incredible clear-air lightning display from storms to the east of Noonamah, just outside Darwin on April 6, 2015. (Photo by Jacci Ingham/The Guardian)

Kourtney Roy makes eerie self-portraits in desolate yet dramatic locations – with wigs and wardrobe straight out of 1950s melodrama. In these shots, from her “Enter as Fiction – California” series, she plays characters caught in desolate, often abandoned settings. (Photo by Kourtney Roy/Galerie Catherine et André Hug/The Guardian)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)