Members of the samba school of the Grupo Especial Independencia Tricolor participate in the carnival celebration at the Anhembi sambodrome in Sao Paulo, Brazil, 09 February 2018. (Photo by Sebastiao Moreira/EPA/EFE)

Marcelo Maragni was born in Sao Paulo, Brazil. According to his mother’s idea, he was ment to be an architect in a quest of changing the world. Instead, he preferred to take possession of his father’s camera and learn another craft on his own.

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.

Belgium-based filmmaker Vincent Bal turns shadows into opportunities to daydream, creating doodles out of the various shapes.

As you look at the majestic Crater Lake, located in south-central Oregon, United States, it is hard to imagine that thousands of years ago this place was one giant crater with scorching hot lava spilling over the sides. Those were the times of turmoil. Now, however, this place is the essence of tranquility. The lake that was formed, after the volcano died down, is amazingly clear due to the fact that the water isn’t moving at all. No rivers go in or out of the Crater Lake, and the water lost through evaporation is compensated by the rain and snowfall. This lake is also frighteningly deep – 1,943 feet (592 m) at its deepest point – making it the deepest lake in the United States. If you love nature and if you ever come to Oregon, this is truly a sight to behold.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.