A vendor prepares paan, a betel nut-based chewable stimulant at a flower market in Kolkata, India, January 18, 2016. (Photo by Rupak De Chowdhuri/Reuters)
A vendor wearing a protective face mask looks out of her store selling sugar-coated haws on a stick in Beijing, Sunday, April 12, 2020. (Photo by Andy Wong/AP Photo)
A girl looks out of a car at a checkpoint set up by Venezuelan security forces in Taguanes, Venezuela, February 21, 2019. (Photo by Andres Martinez Casares/Reuters)
Pusha the cat, which adopted four bereaved baby squirrels and currently feeds and lives with them, lies at a local park of miniatures in Bakhchisaray, Crimea on April 25, 2019. (Photo by Alexey Pavlishak/Reuters)
A worker fills a public bus with diesel as the bus driver and passengers look on, at a fuel station in Kolkata, India, February 1, 2017. (Photo by Rupak De Chowdhuri/Reuters)
Visitors take masks off to take pictures as hydrangea flowers are fully blooming at Meigetsu-in Buddhist temple Friday, June 11, 2021, in Kamakura, south of Tokyo. (Photo by Kiichiro Sato/AP Photo)
A SpaceX Falcon 9 rocket lifts off in Florida on Saturday, October 21, 2023. The rocket is carrying 23 Starlink satellites. (Photo by Malcolm Denemark/AP Photo)
Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.