The daughter of Zakaria Abu Maamar, a member of Hamas' political office, is comforted as she cries during her father's funeral, after he was killed in an air strike, in Khan Younis, in southern Gaza Strip on October 10, 2023. (Photo by Ibraheem Abu Mustafa/Reuters)

A worker sits as illegally harvested sandalwood confiscated by Kenya's multiagency security teams is set ablaze to curb the trade in their essential oil, which is extracted to manufacture medicines and cosmetics at the Directorate of Criminal Investigations (DCI) offices along Kiambu road in Nairobi, Kenya on February 28, 2023. (Photo by Monicah Mwangi/Reuters)

Men walk towards law enforcement with their hands up on August 24, 2020 in Kenosha, Wisconsin. A second night of civil unrest occurred after the shooting of Jacob Blake, 29, on August 23. Blake was shot multiple times in the back by Wisconsin police officers after attempting to enter into the drivers side of a vehicle. (Photo by Brandon Bell/Getty Images)

Police officers look on as they stand guard to secure the area where Dutch celebrity crime reporter Peter R. de Vries, known for his reporting on some of the most renowned criminals in the Netherlands, was reportedly shot and seriously injured, in Amsterdam, Netherlands, July 6, 2021. (Photo by Eva Plevier/Reuters)

A child dressed as a New York Fire Department member watches the Veterans Day parade behind a New York Police Department officer on Fifth Avenue in Manhattan, New York City on November 11, 2025. (Photo by Kylie Cooper/Reuters)

Like a scene from a fantasy movie, a dilapidated room that appears to have been literally ripped out of a building remains suspended in mid air above Nantes, France. Its walls were torn apart, revealing bricks below the plaster, and wood floors reveal the joists inside. The floating room is accessible via a ladder. The gravity defying surreal installation is the work of Argentinean artist Leandro Erlich. The large-scale piece, called “Monte-meubles – L’ultime déménagement” (literally - The Furniture Lift – The Ultimate Moving Out), was created for the biannual Le Voyage a Nantes, an art festival which turns the entire French city into an art gallery.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Figures from Antony Gormley's “Field For The British Isles” adorns an exhibition space in St Helen's College in the town of it's creation 15 years ago, June 23, 2008, St Helens, England. The installation of over 40,000 clay figures has returned to the place where it was made by local people from local clay. Artist Antony Gormley describes his creation as “25 tons of clay energised by fire, sensitised by touch and made conscious by being given eyes ... a field of gazes which looks at the observer making him or her its subject”. (Photo by Christopher Furlong/Getty Images)