A painting of a Trabant car bursting through a wall in post unification Berlin, August 1993. (Photo by Steve Eason/Hulton Archive/Getty Images)

“In the late afternoon after a rain, genji botaru fireflies (luciola cruciate) dance above the swollen creek. The rocks darkened by the rain reflecting the blue sky, and the yellow-green ribbon of the glow from the fireflies, make a beautiful contrast”. – Takehito Miyatake. (Photo by Takehito Miyatake/Steven Kasher Gallery)

The summit of one of Europe's tallest mountains glows like the flame of a candle as the sun rises on a clear morning. The Matterhorn, famous for appearing on bars of Toblerone chocolate bars, reflects the vivid orange light at 5.37am. (Photo by Margarethe Jaeger/Solent News & Photo Agency)

Artists watch burning an effigy of Lady Maslenitsa as they celebrate Maslenitsa, or Pancake Week, in Baikonur, Kazakhstan, March 13, 2016. Maslenitsa is widely viewed as a pagan holiday marking the end of winter and is celebrated with pancake eating and shows of strength, while the Orthodox Church considers it as the week of feasting before Lent. (Photo by Shamil Zhumatov/Reuters)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)

Italian artist Maurizio Cattelan poses with his creation “Him” (2001) prior to the opening of the exhibition “Not Afraid of Love” at the Hotel de la Monnaie in Paris, France, October 17, 2016. From October 21, 2016 to January 8, 2017, “Not Afraid of Love”, curated by Chiara Parisi, director of Cultural Programs, sets Maurizio Cattelan’s “comeback at work” in one of the most beautiful Palaces on the river Seine. (Photo by Philippe Wojazer/Reuters)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

This September 22, 2014 photo, shows a building with street art murals in the Santurce neighborhood in San Juan, Puerto Rico. (Photo by Ricardo Arduengo/AP Photo)