Hollydell Poseidon ridden by Madeline Reader-Smith takes part in the Shetland Pony Grand National Flat Race in Aid of Bob Champion Cancer Trust during day two of the Cambridgeshire Meeting at Newmarket Racecourse on Friday, September 28, 2018. (Photo by Mike Egerton/PA Wire)

The thousands of students gathered at Newcastle Racecourse near Newcastle upon Tyne, United Kingdom on March 3, 2019 for a booze-filled night of mayhem. The last race ended at approximately 8pm then the grandstand became like a night-club. (Photo by Craig Connor/North News and Pictures)

Racegoers have their temperatures checked as they make their way into the course as a pilot scheme for the return of crowds to sporting events is expected to bring in 2500 spectators during day one of the William Hill St Leger Festival at Doncaster Racecourse, England on September 9, 2020. (Photo by BackGrid/The Sun)

A racegoer enjoy the atmosphere following 2016 Derby Day at Flemington Racecourse on October 29, 2016 in Melbourne, Australia. Women attendees weren’t afraid to show off some skin as the warm summer weather arrived in Australia. (Photo by Splash News and Pictures)

Race goers enjoying Grand National Day at the Randox Grand National Festival at Aintree, Liverpool, Britain, 09 April 2022. This year's Grand National is the 174th edition of the legendary annual horse race at the Aintree Racecourse in Liverpool. (Photo by Peter Powell/EPA/EFE)

Three young women in their 20s brawling on a busy street on the route from the track to the town centre during day four of the William Hill St Leger Festival at Doncaster Racecourse, England on September 14, 2019. (Photo by Nb press ltd)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

A billboard for JELL-O stands at the corner of Grand Street and West Broadway on August 2, 2011 in New York City. The billboard acts as a mood-meter by analyzing Twitter and guaging the number of happy and sad emoticons used at any given moment, causing the billboard's face to change between a smile and a frown. (Photo by Andrew Burton/Getty Images)