A news crew runs from flames southeast of Middletown, Calif., on Tuesday, September 15, 2015, as winds kick up the Valley fire. (Photo by Wally Skalij/Los Angeles Times/TNS)

Children guarded by Hungarian police play on the ground after being detained along with other migrants who illegally crossed from Serbia to Hungary near the village of Asotthalom, Hungary, September 16, 2015. (Photo by Dado Ruvic/Reuters)

A man dressed as a “Trapajon”, representing entities of nature, poses for a picture after taking part in the Vijanera Festival in Silio, northern Spain, Sunday, Jan. 6, 2013. The Vijanera masquerade, of pre-Roman origin, is the first carnival of the year in Europe symbolizing the triumph of good over evil and involving the participation of crowds of residents wearing different masks, animal skins and brightly colored clothing with its own complex function and symbolism and becoming the living example of the survival of archaic cults to nature. (Photo by Daniel Ochoa de Olza/AP Photo)

Dutch artist Daan Roosegaarde paid homage to Vincent Van Gogh's famous “Starry Night” painting by creating a glowing bike path relying on solar-powered LED lights. The 650-yard route which opened November 12, 2014 extends between Eindhoven and Neunen, Netherlands, where Van Gogh spent part of his life. Its the first event marking the 125th anniversary of Van Gogh's death July 29, 2015. (Photo by Pim Hendriksen/Studio Roosegaarde)

Carolaine Reis and her son Miguel Alves, residents of the Aglomerado da Serra favela, wear a protective mask against the spread of the new Coronavirus (COVID-19) made by the seamstresses of the Remexe Favelinha studio, in the Aglomerado da Serra favela, on April 13, 2020 in Belo Horizonte, Brazil. Facial masks follow the protocol and guidelines defined by the Ministry of Health. Around 6,000 masks have already been produced. The masks are being distributed to a part of the population and sold throughout the country, in the amount of 5 reais per unit. (Photo by Pedro Vilela/Getty Images)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.