The Queen Elizabeth Tower (Big Ben) is reflected in a puddle as a cyclist rides by in London, on 27 June 2016. Britain began preparations to leave the European Union on Monday but said it would not be rushed into a quick exit, as markets plunged in the wake of a seismic referendum despite attempts to calm jitters. (Photo by Leon Neal/AFP Photo)

Palestinians watch a man performs acrobatics on the beach of Gaza City, Friday, June 4, 2021. (Photo by Khalil Hamra/AP Photo)

An adult periodical cicada, in the process of shedding its nymphal skin, is visible on Saturday, May 11, 2024, in Cincinnati. There are two large compound eyes, which are used to visually perceive the world around them, and three small, jewel-like, simple eyes called ocelli at center. (Photo by Carolyn Kaster/AP Photo)

Tightrope walker Tatian-Mosio Bongonga hangs from a tightrope as she pauses while scaling the Monmartre hill towards the Sacre Coeur Basilica (not pictured) in Paris, France, July 20, 2018. (Photo by Philippe Wojazer/Reuters)

The happy egg co. has released its annual cockerel pin-up calendar: “Nice Pecks” – with an egg-streme sports edition. Taking inspiration from upcoming sporting events and the world of extreme sports, the 2015 calendar stars 12 rad roosters with a penchant for adrenaline highs in a range of high octane sporting scenarios including jumping off slopes, riding gnarly waves and snowboarding. Here: “Nice Pecks” calendar: Snowboarding. (Photo by The happy egg co.)

Chloe Kelly and Alex Greenwood of England pose during the official FIFA Women's World Cup Australia & New Zealand 2023 portrait session on July 18, 2023 in Brisbane, Australia. (Photo by Justin Setterfield – FIFA/FIFA via Getty Images)

NHRA funny car driver Alexis DeJoria suffers an engine fire after winning her first round matchup during the Fall Nationals at Texas Motorplex on October18, 2020 in Ennis, Texas. DeJoria would be uninjured in the fiery incident. (Photo by Mark J. Rebilas/USA TODAY Sports)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.