Members of China Disabled Peoples Performing Art Troupe perform “Thousand-arm Goddess of Mercy” during a show on March 12, 2005 in Guangzhou of Guangdong Province, China. China Disabled Peoples Performing Art Troupe was established in 1987. It is an amateur mass art troupe composed of visually impaired, audibly impaired and physically and mentally challenged people. In the past nearly two decades, the troupe has visited more than 30 countries and regions, winning the hearts of audiences all over the world by their solid background of Chinese Culture and their colourful national charm. (Photo by China Photos/Getty Images)

The Bund Sightseeing Tunnel is not an adventure for the light hearted. The trippy visuals and sound effects are rather bizarre and creepy. They look like something out of a nightmare or a psychedelic trip. Maybe the creators of this project did experiment with some illicit drugs to gain inspiration for this project. Moreover, it is more likely than not that some people tried going to this tourist attraction after “preparing” themselves beforehand. This trippy tunnel stretches from Pudong to Puxi in Shanghai, China, and is rated as one of the top five tourist attractions. We recommend visiting this place; just don’t take your kids along for the ride, since it might prove to be too scary for them.

Armin Senoner conceptualizes class system based semiotic alpine escape all visuals courtesy of armin senoner. From birth, every human is organized through the hierarchical class system. Without regard to personal characteristics in the least, each is donned with a label; lower, middle, or upper. Society at large is innately regulated because by it, the rich do anything to remain at the top, the middle tries to overthrow the rich, and the poor just try to survive. Modern times, though less brutal, is no less restrained by the unspoken rules of social division.

Racegoers react as they leave after the second day of the Grand National meeting at Aintree, northern England April 5, 2013. (Photo by Nigel Roddis/Reuters)

ATTENTION: VISUAL COVERAGE OF SCENES OF INJURY AND DEATH

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Frank A. Rinehart, a commercial photographer in Omaha, Nebraska, was commissioned to photograph the 1898 Indian Congress, part of the Trans-Mississippi International Exposition. More than five hundred Native Americans from thirty-five tribes attended the conference, providing the gifted photographer and artist an opportunity to create a stunning visual document of Native American life and culture at the dawn of the 20th century. Photo: Little Bird, Arapahoe, 1899. (Photo by Frank A. Rinehart)

New York-based visual artist and filmmaker Rä di Martino has taken a series of eerie and beautiful photos that capture scenes of abandoned Hollywood film sets. Martino spent over a year traveling throughout the desert towns of Morocco and Tunisia hunting down the old Star Wars sets, exploring these massive structures that stand almost like ancient ruins. “No More Stars” showcases the backdrop of Luke Skywalker's home on the fictional desert planet Tatooine. (Photo by Rä di Martino)

Karezoid Michal Karcz is a photographer from Warsaw, Poland. He first started with painting, which helped him to develop a vision that was hard to create with other visual techniques. Then in early 90s discovered photography. His early fascinations of painting and photography have been combined into one piece, with the use of digital tools. Digital photography gave him the opportunity to generate unique realities that were impossible to be created with an ordinary dark room techniques.

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.