Heather Wilson and Tom Hendry, rangers on the Farne Islands, weigh a puffin using a jug as part of the annual seabird census on May 13, 2025. (Photo by Times photographer James Glossop)

Emily clement, 9, left, and her sister, Mallory, 9, pick strawberries together at the Trunnell's Farm Market strawberry field, Saturday, May 31, 2025, in Owensboro, Ky. (Photo by USA Today)

A horse at the Great Yorkshire Show in Harrogate, UK on July 9, 2025. The county show is expecting to attract 140,000 visitors over four days. (Photo by Andrew McCaren/London News Pictures)

People walk in a field of California poppies and other wildflowers outside of the Antelope Valley California Poppy Reserve, after recent rains moved the region's second-driest winter on record up to its seventh-driest, near Lancaster, California, on April 2, 2022. The California Department of Water Resources reported that about one-third of the Sierra Nevada snowpack's water equivalency melted last week under higher-than-normal temperatures, leaving the statewide snow-water equivalent at 38% of normal for the date. (Photo by David Mcnew/AFP Photo)

Performers dressed as zombies arrive to the pier of the Excelsior Hotel on September 6, 2021 during the 78th Venice Film Festival at Venice Lido. (Photo by Yara Nardi/Reuters)

A handout picture made available by the National Aeronautics and Space Administration (NASA) shows, NASA teams working around Boeing’s CST-100 Starliner spacecraft after it landed at White Sands Missile Range’s Space Harbor, in Las Cruces, New Mexico, 25 May 2022. Boeing’s Orbital Flight Test-2 (OFT-2) is Starliner’s second uncrewed flight test to the International Space Station as part of NASA's Commercial Crew Program. OFT-2 serves as an end-to-end test of the system's capabilities. (Photo by Bill Ingalls/NASA/EPA/EFE)

A tattoo showing the Olympic rings is pictured on the leg of Mexico's Joana Jimenez Garcia during the Women Solo Technical Preliminaries, at the FINA World Championships, in Budapest, Hungary on June 17, 2022. (Photo by Marton Monus/Reuters)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)