This undated handout picture made available on February 3, 2016 and provided by Russia's punk band Рussy Riot shows Рussy Riot frontwoman Nadezhda Tolokonnikova performing in the band's new music video titled “Chaika” in Moscow. Russian punk band Рussy Riot, which became a symbol of resistance for a church performance slamming President Vladimir Putin, released a new protest song on February 3 mocking a senior official for alleged corruption. Titled “Chaika”, the satirical song and accompanying video take aim at prosecutor general Yury Chaika, whose two sons have been accused of using their father's position to accrue large fortunes. (Photo by Andrey Noskov/AFP Photo/Russian Punk Band Рussy Riot)

A couple embrace during the start of the San Fermin festival in Pamplona, Spain July 6, 2016. Revelers from around the world kick off the festival with a messy party in the Pamplona town square, one day before the first of eight days of the running of the bulls. (Photo by Vincent West/Reuters)

Palestinians react as they gather at the site of an explosion, following Israeli strikes in Gaza City on August 5, 2022. (Photo by Mohammed Salem/Reuters)

Children playing on Walled City rooftop in Hong Kong, 1989. The lack of formal governance in the Walled City led to challenges, but it also fostered a unique system of informal social order. (Photo by Greg Girard/The Guardian)

A Palestinian boy, who was displaced by Israel's military offensive with his family on south Gaza, holds a cat as he attempts to return to his home in north Gaza through an Israeli checkpoint, in the central Gaza Strip, on April 15, 2024. (Photo by Ramadan Abed/Reuters)

An Iraqi demonstrator runs as others burn tyres to cut-off roads in the southern city of Basra on November 25, 2019. (Photo by Hussein Faleh/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

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