A deserted alley in the ghost town of Apice, in the province of Benevento, southern Italy, 22 November 2016. After the Irpinia earthquake that took place in southern Italy on 23 November 1980, leaving at least 2,500 people dead, 8,000 injured and 250,000 homeless, the town in the heart of the Sannio area was evacuated and its residents moved into what has become the new Apice. Only recently the narrow streets and the tragically abandoned buildings have started, slowly, to repopulate. (Photo by Cesare Abbate/EPA)

“A meteor streaked across the sky above Russia's Ural Mountains on Friday morning, causing sharp explosions and injuring more than 500 people (20 had been hospitalized in serious condition), many of them hurt by broken glass. “There was panic. People had no idea what was happening. Everyone was going around to people's houses to check if they were OK”, said Sergey Hametov, a resident of Chelyabinsk, about 1500 kilometres (930 miles) east of Moscow, the biggest city in the affected region”. (Photo by Alexey Bulaew/RIA Nowosti)

An undated archive picture shows a dog pulling a Belgian machine gun at an unknown location in northern France. A Viscount in the Armoured Cavalry Branch of the French Army left behind a collection of hundreds of glass plates taken during World War One (WWI) that have never before been published. The images, by an unknown photographer, show the daily life of soldiers in the trenches, destruction of towns and military leaders. The year 2014 marks the 100th anniversary of the start of WWI. (Photo by Collection Odette Carrez/Reuters)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.

A model poses during the annual World Bodypainting Festival in Poertschach, Austria, July 3, 2015. The event takes place from July 3 to 5 at lake Woerthersee in Austria's southern Carinthia province. (Photo by Heinz-Peter Bader/Reuters)

Presentation of The work of Italian artists Antonio Garullo and Mario Ottocento, called “The Italian Dream” showing a wax figurine of Italy's former prime minister Silvio Berlusconi as being dead or asleep inside a glass shrine, is exhibited on May 29, 2012 at the Ferrajoli Palace in the center of Rome, Italy. In this controversial work Berlusconi is smiling, wearing funny slippers and the trousers open. (Photo by Alessandro Bianchi/Reuters)

J. Schwartz (C) and Marianne Wittelsberger (2nd R) of Consumer Watchdog dress as members of the “Google Track Team” in a hallway of the Dirksen Senate Office Building prior to a hearing on Google September 21, 2011 on Capitol Hill in Washington, DC. Members of Consumer Watchdog attended the antitrust hearing dressed as the “Google Track Team” in white tracksuits emblazoned with Google's motto, “Don't be evil”, wearing “Wi-Spy” glasses and pretending to track unsuspecting people during the event. (Photo by Alex Wong/Getty Images)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.