A costumed fan attends Comic-Con International 2014 – Day 1 on July 24, 2014 in San Diego, Calif. (Photo by Joe Scarnici/FilmMagic/Getty Images)

Zurich soccer player Loris Benito tries to catch a marten during the Swiss Super League match between FC Thun and FC Zurich in Thun, Switzerland, March 10, 2013. (Photo by Marcel Bieri/Keystone)

Alpine driver Pierre Gasly of France slides off the track during a qualifying session at the Formula One Las Vegas Grand Prix auto race, Friday, November 21, 2025 in Las Vegas. (Photo by Nick Didlick/AP Photo)

Gerald Herbert is a staff photographer for the AP based in New Orleans, Louisiana. Before that he was a staff photographer for the Washington Times, the New York Daily News and a freelancer for the AP in New Orleans, Boston and New York. Photo: A worker grooms away tracks after an alligator crossed through a sand trap on the 14th hole during the first round of the PGA Tour Zurich Classic golf tournament at TPC Louisiana in Avondale, La., Thursday, April 25, 2013. (Photo by Gerald Herbert/AP Photo)

Children pour cold water on themselves under the control of fitness coach Margarita Filimonova (R) at local kindergarten number 317, with the air temperature at about minus 23 degrees Celsius (minus 9.4 degrees Fahrenheit), in Russia's Siberian city of Krasnoyarsk, February 5, 2013. (Photo by Ilya Naymushin/Reuters)

P.S. All pictures are presented in high resolution. To see Hi-Res images – just TWICE click on any picture. In other words, click small picture – opens the BIG picture. Click BIG picture – opens VERY BIG picture (if available; this principle works anywhere on the site AvaxNews).

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.