JAPAN: A businessman stands at a pond in the Kyu-Shiba-rikyu Garden on a warm and sunny day in Tokyo, Japan, March 18, 2016. (Photo by Thomas Peter/Reuters)

A woman holds newly designed Indonesia Rupiah banknotes after exchanging her old bills at a Bank Indonesia mobile bank in Jakarta, Indonesia December 19, 2016. (Photo by Fatima El-Kareem/Reuters)

A farmer harvests broccoli in the town of al-Ansariyeh south of Sidon, Lebanon March 15, 2016. (Photo by Ali Hashisho/Reuters)

Members of the media film as a ranger performs a post mortem on the carcass of a rhino after it was killed for its horn by poachers at the Kruger national park in Mpumalanga province August 27, 2014. Rhino poachers in South Africa now risk giving themselves away when they shoot thanks to a high-tech, gunfire-detection system being piloted in the country's flagship Kruger National Park. The stakes are high, for rhinos are being slain in escalating numbers for their prized horns, alarming both conservationists and the government since wildlife in South Africa is an important tourist draw. (Photo by Siphiwe Sibeko/Reuters)

A man does physical exercise during sunset over the Finnish Gulf coast in St. Petersburg, Russia, Wednesday, April 14, 2021. (Photo by Dmitri Lovetsky/AP Photo)

Forensic investigators look at the body of a man infected with the new coronavirus who collapsed on the street and died, according to Police Captain Diego Lopez, in Quito, Ecuador, Tuesday, May 5, 2020. (Photo by Dolores Ochoa/AP Photo)

Marina performs on stage at O2 Apollo Manchester on May 10, 2019 in Manchester, England. (Photo by Andrew Benge/Redferns)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)