A bully greenfinch (left) got its comeuppance when a small but fiery dunnock (right) defended itself with its talons in Suffolk, United Kingdom on April 18, 2022. The smaller bird was perched peacefully before the finch burst onto the scene and aggressively squared up to the dunnock. But as the finch tried to peck at the dunnock, the small brown bird expertly used its foot to slam its mouth shut. (Photo by Paul Sawer/Solent News & Photo Agency)

A stunt rider performs on the wooden wall during a fair in Bogra, Bangladesh, February 10, 2021. (Photo by Xinhua News Agency/Rex Features/Shutterstock)

A motorway bridge crosses the icy Hunhe River in Shenyang, China on December 12, 2019. (Photo by Costfoto/Barcroft Media)

Photojournalist Evgeniy Maloletka runs from a blaze in a burning wheat field while on assignment after Russian shelling, a few kilometers from the Ukrainian-Russian border in the Kharkiv region, Ukraine, Friday, July 29, 2022. (Photo by Mstyslav Chernov/AP Photo)

In this third of seven sequential photos, Elian Gonzalez is held in a closet by Donato Dalrymple, one of the two men who rescued the boy from the ocean, right, as government officials search the home of Lazaro Gonzalez for the young boy, early morning, April 22, 2000, in Miami, Florida. Armed federal agents seized Elian Gonzalez from the home of his Miami relatives before dawn, firing tear gas into an angry crowd as they left the scene with the weeping 6-year-old boy. This photo won the Prize in 2001. (Photo by Alan Diaz/AP Photo)

Frank A. Rinehart, a commercial photographer in Omaha, Nebraska, was commissioned to photograph the 1898 Indian Congress, part of the Trans-Mississippi International Exposition. More than five hundred Native Americans from thirty-five tribes attended the conference, providing the gifted photographer and artist an opportunity to create a stunning visual document of Native American life and culture at the dawn of the 20th century. Photo: Little Bird, Arapahoe, 1899. (Photo by Frank A. Rinehart)

Sabine Pearlman‘s photographs find beauty in the destructive engineering of ammunition with this series of cross-sections of bullets cartridges from a Swiss bunker. They reveal the complexity inside each case. This series, which consists of 900 specimens, was photographed inside a WWII bunker in Switzerland. Pearlman says that she is intrigued by the beautiful complexity of the ammo set against its destructive purpose, at once showing off humanity’s ability to create and destroy.

Marcelo Maragni was born in Sao Paulo, Brazil. According to his mother’s idea, he was ment to be an architect in a quest of changing the world. Instead, he preferred to take possession of his father’s camera and learn another craft on his own.