Hirotoshi Itoh graduated from Tokyo National Fine Arts University in 1982 and later went into his family business as a stonemason. He spent several years working with metal before turning his attention to stones. He utilizes stones found in a river bank near his home, and he creates sculptures that juxtapose the original shape and hardness of the material with surprising humor and texture. You can find more of his work on his Deviant Art page.

A worker distributes electronic waste at a government managed recycling centre at the township of Guiyu in China's southern Guangdong province June 10, 2015. The town of Guiyu in the economic powerhouse of Guangdong province in China has long been known as one of the world’s largest electronic waste dump sites. At its peak, some 5,000 workshops in the village recycle 15,000 tonnes of waste daily including hard drives, mobile phones, computer screens and computers shipped in from across the world. (Photo by Tyrone Siu/Reuters)

Hawaiian surfer Sean Yoro aka Hula combines his love of surfing and his artistic talent, creating hyperrealistic portraits of bathing women at different seaside locations. His work is inspired by street art and abandoned spaces that he uses as his hard-to-reach canvases. Carefully carrying cans of colored paint on the edge of his board, the New York-based artist applies his half submerged female portraits onto the wall.

Hounds of The Cheshire Forest Hunt push their snouts through the bars of their kennels as they eagerly await their morning walk in preparation for the start of the new hunting season, in Knutsford, England, on Oktober 31, 2013. The hunting season traditionally starts around November 1st. Although a ban on hunting has been in force since February 2005, many supporters of fox hunting are continuing to call for a repeal of the ban, saying the current law is hard to interpret and enforce. (Photo by Christopher Furlong/Getty Images)

A woman wearing a burka walks through a bird market as she holds her child, in downtown Kabul, Afghanistan, Sunday, May 8, 2022. Afghanistan’s Taliban rulers on Saturday ordered all Afghan women to wear head-to-toe clothing in public – a sharp, hard-line pivot that confirmed the worst fears of rights activists and was bound to further complicate Taliban dealings with an already distrustful international community. (Photo by Ebrahim Noroozi/AP Photo)

Christian Balderosdasco, 31, is being pulled up a mud pit after diving for 3 hours to look for gold on March 22, 2017 in Paracale, Philippines. Apart from tunneling and sifting sand, locals dive down murky swamps with the aid of a compressor with air flowing in a small tube for breathing, as they blindly swim under the mud for up to four hours to look for tiny rocks containing gold particles. For decades, local residents at Paracale town work in hazardous conditions scavenging under the earth and diving into tunnels filled with mud using only makeshift tools to mine for gold, often placing their health and lives at risk. (Photo by Jes Aznar/Getty Images)

Syrian girls carry bags with bread as people queue up outisde a bakery in a rebel held neighbourhood in the northern city of Aleppo on July 12, 2016. Since mid-2012, Aleppo has been roughly divided between government control in the west and rebel control in the east, and has suffered enormous destruction in the war that has killed more than 280,000 people nationwide. Last week, a government advance brought regime troops within firing range of the Castello Road, the only remaining supply route into the opposition-held east, effectively severing rebel neighbourhoods from the outside world. With their route to the outside world cut, there is no new flour coming to the city's bakeries, and fuel to light their ovens is also now hard to find. (Photo by Karam Al-Masri/AFP Photo)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)