In this February 28, 2015 photo, teammates struggle to lift a bull off the trapped leg of a charro, during the bull riding event at a charreada in Mexico City. National Charros Association President Manuel Basurto Rojas said: “We in charreria are taking things into our own hands. We have codes, we have rules, for how to treat the animals. On the other hand, there is a lot of danger involved for the men doing these tricks”. (Photo by Rebecca Blackwell/AP Photo)

A Hindu devotee displays his inked hand after taking part in the religious festival of Holi in Vrindavan, in the northern state of Uttar Pradesh, India, March 8, 2017. (Photo by Cathal McNaughton/Reuters)

Marcelo Maragni was born in Sao Paulo, Brazil. According to his mother’s idea, he was ment to be an architect in a quest of changing the world. Instead, he preferred to take possession of his father’s camera and learn another craft on his own.

Here are the bravest of the brave in 2016. Weve gathered some of the finest images showing daredevils taking their lives into their own hands and going to the very brink this year. Whether they are perched hundreds of feet up on a high wire, courageously clinging to a rockface or taking on a volcano, these adventurers take the breath away. Here: Morgane Choquet and Samuel Cobb relax in a vertical campsite on the slopes of El Capitan, Yosemite National Park. (Photo by Alexandre Eggermont/Caters News)

Malaysian artist Daniel Kamarudin has added his own take on the superheroes into the mix and the results are awesome.

In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived, chopping wood to heat the house and making their own clothes. Sablin's book of photographs, “Aunties: The Seven Summers of Alevtina and Ludmila”, is published by Duke University Press. Here: “Two-Handed Saw, 2014”. (Photo by Nadia Sablin)

“Kirill Oreshkin of Moscow is crazy. Without the aid of equipment or safety gear, Oreshkin climbs buildings, statues, and whatever he can get his hands on to dizzying heights and then takes the most gorgeous selfies imaginable”. (Photo by Kirill Oreshkin)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.