In this Thursday, May 8, 2014 photo, Iranian coal miners push metal carts to be loaded with coal at a mine near the city of Zirab 212 kilometers (132 miles) northeast of the capital Tehran, on a mountain in Mazandaran province, Iran. International sanctions linked to the decade-long dispute over Iran's nuclear program have hindered the import of heavy machinery and modern technology in all sectors, and coal mining is no exception. (Photo by Ebrahim Noroozi/AP Photo)

Ratana Das, 40, a female vendor, carries sacks full of clothes at a second-hand clothing market early morning in Kolkata, India, March 10, 2016. Das said she was born and brought up in Kolkata and feels proud being a resident of the city that gives her he opportunity to be financially independent. (Photo by Rupak De Chowdhuri/Reuters)

Ismail Mustafa, seen in 2007. “I was collecting mushrooms on the hill near here. I didn’t see the mine. There was a huge explosion. When I woke up I saw that both my legs were gone; I thought my life was over. My brother and another guy were with me. They made a stretcher from sticks and tied it together with clothing. It took two hours to get off the mountain. ‘My daughter has also been injured. She found a shell and brought it into the house and put it on the fire. She didn’t know what she was doing at the time – she was only three. She is blind and has lost an arm”. (Photo by Sean Sutton for the Mines Advisory Group/The Guardian)

View at one of the sculptures by Swiss artist H.R. Giger during the opening of the Ars Electronica 2013 exhibition “HR Giger. The Art of Biomechanics” in Linz, Austria, 04 September 2013. (Photo by EPA/RUBRA)

A man irrigating a rice paddy field using a traditional method. (Photo by Fox Photos/Getty Images). Japan, circa 1938

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

A girl carries on her head a pile of dried shrubs she gathered for cooking and heating, in Kabul, Afghanistan November 18, 2015. (Photo by Omar Sobhani/Reuters)

Mohamed Mostafa, 35, carries dyed yarns at a dye workshop in old Cairo, Egypt, March 17, 2016. Egypt's hard currency crisis and competition from modern factories in Asia and at home threaten one of the last dye workshops in Egypt. But one of its owners takes comfort in the trade's ancient resilience. Mohamed Mostafa boasts that the profession dates back 3,000 years, so it can survive anything. (Photo by Amr Abdallah Dalsh/Reuters)