Ostriches wear masks as they are transported by a truck for relocation in Zhengzhou, Henan Province, China, August 8, 2016. (Photo by Reuters/Stringer)

This image released by Twentieth Century Fox shows Kristen Stewart in a scene from “Underwater”. (Photo by Alan Markfield/Twentieth Century Fox via AP Photo)

A photo taken from the International Space Station shows Hurricane Lane in the early morning hours near Hawaii, August 22, 2018. (Photo by Courtesy @astro_ricky/NASA/Handout via Reuters)

A Chinese tourist visits the Mutianyu Great Wall covered in snow on February 23, 2021 in Beijing, China. Affected by the new coronavirus (COVID-19), the number of visitors to Mutianyu Great Wall in 2020 dropped by about 60%. (Photo by Lintao Zhang/Getty Images)

Performers dressed as zombies arrive to the pier of the Excelsior Hotel on September 6, 2021 during the 78th Venice Film Festival at Venice Lido. (Photo by Yara Nardi/Reuters)

In this April 28, 2014 file photo, a woman throws a rock and a bag at police blocking her from getting home in the Huepetuhe district of the Madre de Dios region of Peru. Security forces began destroying illegal gold mining machinery in Peru's southeastern jungle region of Madre de Dios, as authorities began enforcing a ban on illegal mining. (Photo by Rodrigo Abd/AP Photo)

A busy rush hour sees thousands of commuters climbing on board a train – as well as holding onto its sides and sitting on the roof before it speeds off. Men, women and children climb and are pulled up onto the roof of the train, which is around 12ft (3.6m) high, as they try to find themselves a space. With no seats available inside, many commuters decide to take the risk and choose a rooftop view for their journey out of Dhaka city, in Bangladesh. (Photo by Yousuf Tushar/Solent News & Photo Agency)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)