Visitors view Patricia Piccinini's “The Embrace” artwork during the “You Know Who” exhibition at the Abdulmecit Efendi mansion in Istanbul, Turkey, 27 September 2022. The exhibition, which by the organizers is described as questioning “the representation of the unknown in contemporary art, based on the symbolic world of the supernatural and unknown in the Byzantine period”, is shown from 20 September until 11 December 2022. (Photo by Erdem Sahin/EPA/EFE/Rex Features/Shutterstock)

Young dancers practice by the Kenya – Uganda railway line, prior to the start of a Christmas ballet event in Kibera, the Kenyan capital's largest slum, Friday, December 15, 2023. The ballet project is run by Project Elimu, a community-driven nonprofit that offers after-school arts education and a safe space to children in Kibera. (Photo by Brian Inganga/AP Photo)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

People walk past the sculpture by artist Danger Dave titled “Damien Hirst looking for sharks” at the Swell Sculpture Festival at Currumbin Beach on the Gold Coast, Australia, 17 September 2021. The Swell Sculpture Festival is the largest outdoor art exhibition in Queensland and features 65 large scale contemporary sculptures set along Currumbin Beach. (Photo by Darren England/EPA/EFE)

Ana Louzi and Junio Enriuque dance for a video during sunrise from SUMMIT One Vanderbilt on World Photography Day on August 19, 2022 in New York City. Summit One Vanderbilt opened the 1000-foot observation beginning at 5 AM to allow ticketed members of the general public and photo enthusiasts to see sunrise from the elevated altitude. World Photography Day is an “annual, worldwide celebration of the art, craft, science and history of photography” according to their website. (Photo by Alexi Rosenfeld/Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Inga Paltser is a young painter from Severodvinsk known for her watercolor illustrations and paintings of owls. Inga prefers working with paper, but sometimes also creates on textile, wood, and canvas. She started painting in her childhood at the local school of arts. However, after high school Inga decided to become a biologist and now she works as a researcher. Even though art hasn’t become her profession, Inga finds time to create wonderful paintings presented on this website. Her first owls were painted spontaneously – Inga decided to utilize small pieces of watercolor and pastel paper and created two cute owls called “Friends”. Inga’s owls instantly received recognition across the web and social networks and now are greatly loved by thousands of people around the world.

Dr. Christopher Brown (R), the Director of the Ashmolean, talks with Colin Harrison, the Ashmolean's Senior Curator of European Art, in front of a painting by Edouard Manet entitled “Portrait of Mademoiselle Claus” from 1868 in the Ashmolean Museum on February 24, 2012 in Oxford, England. The painting has been sold to a foreign buyer for 28.35 million GBP, however the Government has extended a temporary export bar on the artwork until August to give the Ashmolean an opportunity to raise funds to retain the painting in the UK. (Photo by Oli Scarff/Getty Images)