Vietnamese female police officers march during a parade celebrating the 50th anniversary of the end of the Vietnam War on Wednesday, April 30, 2025, in Ho Chi Minh City, Vietnam. (Photo by Richard Vogel/AP Photo)

Canada's Yuri Nazarkin carves Star Wars character C-3PO (R) and R2-D2 for the ice sculpture festival in Liege, Belgium, November 13, 2015. (Photo by Eric Vidal/Reuters)

A US Marine feeds an orphan kitten found after a heavy mortar barrage near “Bunker Hill” during the Korean War. (Photo by Sgt Martin Riley/Getty Images). 1953

Demonstrators dance around a burning an effigy of the Russian President Vladimir Putin during an anti-war action in Tbilisi, Georgia, Sunday, March 27, 2022. (Photo by AP Photo/Stringer)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Ismail Mustafa, seen in 2007. “I was collecting mushrooms on the hill near here. I didn’t see the mine. There was a huge explosion. When I woke up I saw that both my legs were gone; I thought my life was over. My brother and another guy were with me. They made a stretcher from sticks and tied it together with clothing. It took two hours to get off the mountain. ‘My daughter has also been injured. She found a shell and brought it into the house and put it on the fire. She didn’t know what she was doing at the time – she was only three. She is blind and has lost an arm”. (Photo by Sean Sutton for the Mines Advisory Group/The Guardian)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)