“Sergey Mikhaylovich Prokudin-Gorsky (August 30 1863 Russian Empire – September 27, 1944 Paris, France) was a Russian chemist and photographer. He is best known for his pioneering work in color photography of early 20th-century Russia”. – Wikipedia

Photo: Dinner during haying. Russian Empire, Novgorod province, county Cherepovets, 1909. (Photos by Sergey Prokudin-Gorsky via US Library of Congress and Prokudin-Gorsky.org)

P.S. All pictures are presented in high resolution. To see Hi-Res images – just TWICE click on any picture. In other words, click small picture – opens the BIG picture. Click BIG picture – opens VERY BIG picture (if available; this principle works anywhere on the site AvaxNews). Enjoy.

The ferocity of crises worldwide is forcing a record number of people to flee their homes, seeking some form of safety within their own country or across international borders. There are 65.3 million displaced people worldwide, including 21.3 million refugees. Most have lost their homes to armed conflict or natural disasters but other factors, such as extreme poverty and climate change, also drive displacement. The International Organisation for Migration commissioned photojournalist Muse Mohammed to document the plight of the displaced. (Photo by Muse Mohammed/IOM)

Electric cars sit charging in a parking garage at the University of California, Irvine January 26, 2015. “The Irvine Smart Grid Demonstration”, a $79 million project funded half by federal stimulus money and half by Edison and partners like UC Irvine, was launched in 2010. The $12 billion utility's research team Southern California Edison is testing everything from charging electronic vehicles via cell phone to devices that smooth out the power created by rooftop solar panels. Those are some of the roughly 60 projects in the works at Edison's Advanced Technology division. It has a small $19 million annual budget, but its influence far exceeds that. (Photo by Lucy Nicholson/Reuters)

David Yeo’s photography places naturally small species alongside animals that have been selectively bred to be tiny and cute. Here: “The most difficult aspect of this shoot was to get each African pygmy dormouse – also known as micro squirrels – on to a separate camera. Once in place, they needed to remain still long enough to get them both in the frame and looking at me. Often solitary, they naturally wanted to move away”. (Photo by David Yeo/Leica Studio Mayfair/The Guardian)

“Himalayan Dog”. This dog just appeared out of nowhere and followed us for an entire week during our trekking trip in the Himalayan outback. He always used to sleep in front of our tent and guarded us in the nights. When I decided to get up at 4 a.m. to climb the next 5000 m peak for sunrise he accompanied me as well. On the top he was sitting for the entire 30 minutes on this place looking straight into the countryside. Photo location: Ladakh, India. (Photo and caption by Sebastian Wahlhuetter/National Geographic Photo Contest)

A visitor stands in the exhibition “I Am A Drop In The Ocean” dedicated to the artistic and visual expressions of the protests that shook the Ukraine from November 2013 until February 2014 at the Kuenstlerhaus gallery in Vienna, Austria, Thursday, April 10, 2014. The exhibition opens its doors from April 11 until May 23, 2014. (Photo by Ronald Zak/AP Photo)

This lemur looks like he is channelling the spirit of Buddha – as he sits meditating. Sitting with his legs crossed, the lemur clasps his thumb and fore finger together with outstretched arms – just like the spiritual teacher. And amateur snapper Sebastien Degardin, 32, was on hand to capture the bizarre moment the animal searched for enlightenment on film. Sebastien, who moved from his native Belgium to Finchley, North London, said: “I was gobsmacked when I saw this lemur meditating”. (Photo by Sebastien Degardin/Caters News)

Charlotte fights a monster with a “wand” in her bedroom in Laure Fauvel's “Terreurs”, 2014, in Paris, France. An imaginative photographer has brought to life monsters that haunt children's nightmares. Armed with sticks, wands and swords the eight and nine year-olds appear to be getting the upper-hand against the villains. Parisian photographer Laure Fauvel, 22, said: I wanted the children not be victims and to fight the monsters. (Photo by Laure Fauvel/Barcroft Media)