A woman wearing a wedding dress takes part in the so-called “brides' match” at the FIFA Fan Fest in Kazan, a host city for the 2018 FIFA World Cup, Russia June 30, 2018. (Photo by Alexey Nasyrov/Reuters)

Russian President Vladimir Putin aims a sniper rifle during a visit to the Patriot military exhibition center outside Moscow, Russia, Wednesday, September 19, 2018. Putin chaired a meeting that focused on new arms programs. (Photo by Alexei Nikolsky/Sputnik/Kremlin Pool Photo via AP Photo)

Siberian Husky dogs of the Royev Ruchey Park team pull a rig during a practice session for the Karadag Sled Dog Rally on the frozen Mana River, with the air temperature at about minus 21 degrees Celsius (minus 5.8 degrees Fahrenheit), in the Siberian Taiga area outside Krasnoyarsk, Russia February 6, 2018. (Photo by Ilya Naymushin/Reuters)

Relatives of Ukrainian photographer Maksim Levin, killed while covering Russia's attack on Ukraine, react during his funeral in the town of Boiarka, outside of Kyiv, Ukraine on April 4, 2022. (Photo by Valentyn Ogirenko/Reuters)

A Ukrainian serviceman fires with a ZU-23-2 anti-aircraft cannon at a position near a front line in the Kharkiv region, as Russia's attack on Ukraine continues, Ukraine on August 10, 2022. (Photo by Vyacheslav Madiyevskyy/Reuters)

A woman steers her stand-up paddle board using an umbrella as a sail at Ladoga lake near the city of Olonets, 300 kilometers (186 miles) north-east of St. Petersburg, Russia, Friday, July 22, 2022. (Photo by Dmitri Lovetsky/AP Photo)

A Ukrainian serviceman from an anti-drone mobile air defence unit uses his mobile device near a ZU-23-2 anti aircraft cannon as he waits for Russian kamikaze drones, amid Russia's attack on Ukraine, in Kherson region, Ukraine on June 11, 2024. (Photo by Ivan Antypenko/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.