A sculptural artwork depicting former Chilean dictator Augusto Pinochet and headless presidents shot by a hooded high school student (not pictured) is seen at the Contemporary Art Museum in Santiago, December 2, 2014. The artwork, part of the “El ladrillo angular” (The angular brick) exhibition, portrays a student fighting against the ongoing continuity of dictatorship because of a political and economic system which has been impossible to destroy, according to “Papas Fritas” the artwork's creator. (Photo by Ivan Alvarado/Reuters)

A resident walks through heavy snowfall in the Kashmiri city, India on November 11, 2019. There have been several fatalities as the winter weather arrives in the region. (Photo by Saqib Majeed/Barcroft Media)

A dog looks on, as dogs and humans take part in the annual Paris Sausage Walk, also known as the march of the dachshunds, in Paris, France, on November 17, 2024. (Photo by Kevin Coombs/Reuters)

On the afternoon of the June 12, 2025, a couple wearing black dresses took wedding photos at Dadaepo Beach in Saha-gu, Busan. (Photo by Kim Dong-hwan)

Beekeeper and Chairman of The London Beekeepers Association John Chapple installs a new bee hive on an urban rooftop garden in Hackney on July 1, 2009 in London, England. (Photo by Dan Kitwood/Getty Images)

In this June 29, 2015 photo, hairdresser Loavia Bienaime, 30, sits on her bed as she prepares to begin her day in the room her family occupies in an government office building that was damaged in the 2010 earthquake in Port-au-Prince, Haiti. Bienaime's husband, Jimmy Bellefleur, used his skill as an electrician to connect the abandoned building to the power grid, and has repaired broken televisions, fans, and a blender for the family to use. (Photo by Rebecca Blackwell/AP Photo)

Record snowfall in the Sahara Desert near the town of Ain Sefra in Algeria on January 21, 2017. (Photo by Geoff Robinson/Rex Features/Shutterstock)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)