A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

“Photographer Max Ellis has become an internet star – after posting wacky photos of squirrels in hilarious situations, from being sent flying through the air in fear by a Buckaroo to lifting weights. Max places his self-made creations in his garden in Teddington, London, and then painstakingly waits hours – and sometimes days – for his subjects to get into the exact position to capture his shot. In another scene an inquisitive squirrel is sent backwards in surprise as a bottle of champagne pops its cork and in others a squirrel appears to saw his friend in half just like the famous magic trick”. – Caters News

These photographs are the work of urban explorer Dr Bradley Garrett who made headlines back in 2012 when he posted a series of snaps from the top of The Shard skyscraper while it was still under construction. Garrett, now a researcher at the University of Oxford, took these shots during his time with the London Consolidation Crew (LCC), a loose collection of urban explorers based in the English capital. Photo: Bradley Garrett stands on the edge of the Ritz-Carlton Chicago as lightning strikes in the distance in Chicago, US. (Photo by Bradley L. Garrett/Barcroft Media)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)

“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

A girl rides a broomstick in front of a green screen at the new Harry Potter Studio Tour at Warner Brothers Leavesden Studios on March 23, 2012 in London, England. The studio, which includes the actual sets and special effects departments where the films were created and shot, goes on public display on March 31, 2012. (Photo by Dan Kitwood/Getty Images)