Frank A. Rinehart, a commercial photographer in Omaha, Nebraska, was commissioned to photograph the 1898 Indian Congress, part of the Trans-Mississippi International Exposition. More than five hundred Native Americans from thirty-five tribes attended the conference, providing the gifted photographer and artist an opportunity to create a stunning visual document of Native American life and culture at the dawn of the 20th century. Photo: Little Bird, Arapahoe, 1899. (Photo by Frank A. Rinehart)

New York-based visual artist and filmmaker Rä di Martino has taken a series of eerie and beautiful photos that capture scenes of abandoned Hollywood film sets. Martino spent over a year traveling throughout the desert towns of Morocco and Tunisia hunting down the old Star Wars sets, exploring these massive structures that stand almost like ancient ruins. “No More Stars” showcases the backdrop of Luke Skywalker's home on the fictional desert planet Tatooine. (Photo by Rä di Martino)

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

Flossis by the artist Rosalie are known far beyond the boundaries of Dьsseldorf, Germany. In this city on the Rhine, the Flossis became famous. Many buildings’ outer walls are decorated with these figures. Flossis by Rosalie come in different variants of small to large and they are popular among young and old. Flossis are made of resin and resist temperatures under -15 degrees. Below that, they should be brought to the warm inside of the building. The currently most sold Flossi, is the “type I” in red, like shown in the following illustration.

At first, British photographer Martin Usborne just wanted to do some reporting on people who leave their dogs locked up in cars. But as he went around scouring parking lots, “making barking noises to try and awaken sleeping dogs that were not actually there,” his project took on a new artistic direction. “The Silence of Dogs in Cars” was inspired by a “childhood memory of waiting in a car whilst his parents were shopping in a supermarket, and the youthful fear that they would not return.”

Ed Freeman was born and raised in Boston and majored in French and Russian at Oberlin College in Ohio. After college, he worked as a performing musician, arranger and record producer, creating dozens of pop and jazz vinyls, including Carly Simon’s debut album and Don McLean’s American Pie. Ed Freeman in 1990 and have watched him grow as an artist and a teacher. For the past eight years, Ed has been teaching a Photoshop class at Santa Monica City College and currently has large pieces of his work, Desert Realty, featured in a traveling museum.

Image patterning has existed for hundreds of years; however, before Thomas Yang no one has ever thought of putting paint on the bicycle wheels and using it as a patterning tool to create very interesting-looking pictures. Being an avid cyclist and an artist, Thomas Yang has decided to combine the two, creating the 100copies. The name of this project not only alludes to the fact that only one hundred copies of those pictures were going to be made, but also to the fact that the pictures themselves consist of hundreds of repeating shapes. And even though the project is called 100copies, no two pictures are alike due to the nature of their creation, making them truly unique. (Photo by Thomas Yang)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)