This vase is simple as a piece of cake but it’s so special at the same time – it’s Floating Ripple vase by ooDesign. It’s a piece manufactured in glass that allows any transparent vase to look like ripples in water.
Long-stemmed flowers float vertically in the water and according to the movement of the air, they change their position within the container – so, what can I say? Japanese designers continue to create genially simple and natural-looking philosophic pieces that inspire everybody.

From house breaking in Johannesburg to hippos on the loose in Tbilisi to rioters attacking a policewoman in Burundi, Reuters photographers tell the story behind some of the most iconic pictures of the year. Here: Protesters drag a female police officer accused of shooting a protester in the Buterere neighbourhood of Bujumbura, Burundi, May 12, 2015. Goran Tomasevic: Protesters started throwing stones at a group of police, who then started to run away. The policewoman in the photo, Medikintos Inabeza, 33, got left behind and then some protesters started to push her, saying that she had shot a female protestor in the stomach with an AK47 rifle. I didn't see anything of that. There were 5 or 10 protesters pushing the policewoman at first, then others came and joined in. Up to 20 or 30 protesters were surrounding her at one point. The protesters kicked and beat her very badly; I also saw a couple of knives. I thought they were going to kill her... (Photo by Goran Tomasevic/Reuters)

This camel clearly didnt get the hump about having its picture taken after posing for a selfie. Pictured joining in with the group photo, the hilarious photo shows the delighted desert dweller smiling happily for the camera. Captured by friends Hossam Antikka, 20, Karem Abdelaziz, 22, and Misara Salah, 24, the group spent around half an hour feeding the camel before deciding to take a snap of their new found friend. (Photo by Karem Abdelaziz/Caters News)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

In this Thursday, January 17, 2019, photo, an Indian tamer reacts as a bull charges towards him during a traditional bull-taming festival called Jallikattu, in the village of Allanganallur, near Madurai, Tamil Nadu state, India. Jallikattu involves releasing a bull into a crowd of people who are expected to hang on to the animal's hump for a stipulated distance or hold on to the hump for a minimum of three jumps made by the bull. The sport, performed during the four-day “Pongal” or winter harvest festival, is hugely popular in Tamil Nadu. (Photo by Aijaz Rahi/AP Photo)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

Anil Saxena from Mumbay, India creates amazing photo manipulations using Photoshop. These surreal photos will truly amaze you. Anil started out doing conventional darkroom photo composition and retouching them before moving these skills over to Photoshop. He is a true perfectionist: “If the image is a success but my work goes unnoticed, I’m doing my job well.” says Anil. I think we definitely should notice these works, because what he does is amazing!

Photographer Frank Relle takes long-exposure images of houses in New Orleans. Says Relle, “The city at night comes alive for me. I imagine stories about the people’s lives inside the homes based on the evidence on the outside. My photographs become a portrait without the person. The night obscures details and the lack of information gives possibility”. Photo: “Telemachus”. Farragut Street, New Orleans, La. Nov. 2006. (Photo by Frank Relle)