“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)

“I bought my first dlsr camera in 2009 may. The first part of my life is gone but the other i dedicate to photography. If i try to imagine myself, i saw someone on the road, who walking straight to the light. This kind of light is the photography and the post-processing in my life. My pictures express the feelings, moods what i felt under my trip in the last few years”. – Ildiko Neer

Photo: “Path to the shine”, 2011. (Photo by Ildiko Neer)

A general view of the Drax Power Station, illuminated in the colours of the Ukrainian flag, in North Yorkshire, Britain on April 1, 2022. (Photo by Lee Smith/Reuters)

Indonesian women sit on a hill as the Suralaya coal power plant looms in the background in Cilegon, Indonesia, on January 8, 2023. A plan for how Indonesia will spend $20 billion to transition to cleaner energy was submitted Wednesday, Aug. 16, to the government and its financing partners, the planners said. (Photo by Dita Alangkara/AP Photo)

Early morning storms over the Masai Mara National Reserve, Kenya on August 26, 2016. (Photo by Action Press/Rex Features/Shutterstock)

Cloud inversion taken at Sunrise in Mam Tor, Derbyshire, UK on August 30, 2016. (Photo by David Zdanowicz/REX Shutterstock)

A selection of prizewinning images from the Take a View 2016 photography awards. Here: Finding Gold, taken in Wast Water in Cumbria, which won the Great Britain #OMGB “Home of Amazing Moments” award. (Photo by Mark Gilligan/PA Wire)

Blizzard in the High Peak, Derbyshire, by John Finney: “After a difficult journey in the snow, I made my way from Mam Tor down onto the Great Ridge. As the clouds got darker, I placed the tripod and camera at just the right angle to avoid snow getting onto the lens, and used a flash gun and a relatively slow shutter speed to highlight the fast motion of the blizzard”. Classic view, adult class – winner. (Photo by John Finney/Landscape Photographer of the Year)