A man participates in the Red Bull Jump & Freeze Lebanon at Mzaar Kfardebian Ski Resort in mount Lebanon February 28, 2016. (Photo by Jamal Saidi/Reuters)

A runner participates in the Santa Run 10K race in Caracas, Venezuela, Sunday, December 19, 2021. This is the first Santa Run since the start of the pandemic. (Photo by Ariana Cubillos/AP Photo)

Aerial view of people circling around bonfires to celebrate the Torch Festival on Axilixi Prairie on July 20, 2024 in Bijie, Guizhou Province of China. (Photo by Luo Dafu/VCG via Getty Images)

The American singer Jessie Murph shows off her footwear at Variety magazine event in Los Angeles, California on August 8, 2024. (Photo by Jordan Strauss/Invision/AP Photo)

In this Sunday, May 29, 2016 photo, fighters take a selfie while firing artillery during fight against Islamic State militants in Fallujah, Iraq. Iraqi forces this week pushed into the city's southern sections after securing surrounding towns and villages more than 50,000 people are believed to be trapped inside the Sunni majority city, about 65 kilometers (40 miles) west of Baghdad. (Photo by Anmar Khalil/AP Photo)

It’s a tradition that dates back hundreds of years, where two stallions fight over a female to ring the Chinese new year. And when it’s the Year of the Horse, the fights are considered to be even more significant. They’re held in small villages across southern China and have been condemned by animal rights groups, including Hong-Kong based Animals Asia. But those who participate in the events defend the fights and insist they take care of the animals.

Andre Ermolaev is a photographer from Moscow, Russia (featured previously). In an ongoing series of aerial photos, Andre captures Iceland’s incredible landscape like you’ve never seen. Many of his images focus on capturing glacial rivers flowing through Iceland’s volcanic areas and the patterns and colours that emerge from the resulting flow.

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.