A woman holds her dog after arriving from Russian-occupied territory at a registration and processing area for internally displaced people in Zaporizhzhia, in Ukraine, on May 8, 2022. (Photo by Dimitar Dilkoff/AFP Photo)

Ariana Lamcellari, 4, holds a sign at a protest against violence, following the charge of a British police officer in the London kidnapping and murder of Sarah Everard, in Dublin, Ireland on March 16, 2021. (Photo by Clodagh Kilcoyne/Reuters)

A prong extending from a remote-controlled robot prototype approaches the mouth of a volunteer to extract a throat swab sample, as part of a self-funded project to assist physicians in running tests on suspected COVID-19 coronavirus patients in a bid to limit human exposure to disease-carriers, at a private hospital in Egypt's Nile delta city of Tanta, on March 20, 2021. (Photo by Khaled Desouki/AFP Photo)

The granddaughter of one of the family members cries after the eviction from their home in El Raval neighbourhood, amid the coronavirus disease (COVID-19) pandemic, in Barcelona, Spain, May 12, 2021. (Photo by Nacho Doce/Reuters)

Lewis McKay, two, from East Kilbride, tries out the drums at the 2024 World Pipe Band Championships in Glasgow. on August 16, 2024 Some 204 bands, representing 13 nations and including 9,000 musicians, are competing over two days. (Photo by Wattie Cheung/The Times)

A handout image released by the Taronga Zoo shows Veiled Chameleon hatchlings at Taronga Zoo in Sydney, Australia, 11 March 2015. Taronga has welcomed more than 20 baby chameleons, with the last of three clutches of eggs hatching this week. Veiled Chameleons, or Chamaeleo calyptratus, are native to Saudi Arabia and Yemen and can live up to five years. (Photo by EPA/Taronga Zoo)

People dressed in fifties-style outfits dance during the 23rd Rockin' Race Jamboree International Festival in downtown Torremolinos, near Malaga, southern Spain February 4, 2017. (Photo by Jon Nazca/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)