A person eats an early Thanksgiving meal served to the homeless at the Los Angeles Mission in Los Angeles, California, November 25, 2015. (Photo by Mario Anzuoni/Reuters)

“Catch of the Decade”. Can you guess what happened next? Photo location: Katmai National Park, Alaska, USA. (Photo and caption by Aaron Baggenstos/National Geographic Photo Contest)

Bryan Berg was introduced to card-stacking by his grandfather at the age of 8. He is a self-taught artist in all of the techniques he uses today. Berg's freestanding card structures are based on a grid-like arrangement, which Berg tested in a structural engineering lab to support 660 lbs per square foot―using no tape, no glue, no folding, and no tricks.

Members of Myanmar's vovinam team warm up before competing in the vovinam event at the 32nd Southeast Asian Games (SEA Games) in Phnom Penh on May 6, 2023. (Photo by Mohd Rasfan/AFP Photo)

Performers prepare for the start of the 98th Macy's Thanksgiving Day Parade in New York City on November 28, 2024. (Photo by Eduardo Munoz/Reuters)

A diver dressed in a Santa Claus costume swims with a penguin at Sunshine Aquarium during preparations for the upcoming Christmas special event in Tokyo on December 1, 2025. (Photo by Kazuhiro Nogi/AFP via Getty Images)

Thomas Barbèy grew up in Geneva, Switzerland, across the street from the “Caran D'ache” factory, the largest manufacturer of art supplies. He started drawing seriously at the age of 13, using black “encre de Chine” and gouaches for color. His influences were Philippe Druillet, Roger Dean and H.R. Giger. After living in Geneva for 17 years and designing posters for musical bands, he decided to move to Italy, where he lived in Milan for 15 years making a living as a successful recording artist, lyricist and fashion photographer.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.