Two men standing on a high catwalk, surveying the construction of the Brooklyn Bridge, with Manhattan in the background, New York City, 1877. (Photo by Museum of the City of New York/Archive Photos/Getty Images)

A Peregrin Falcon is pictured at the Mariscal Sucre Airport in Quito, Ecuador November 14, 2015. They are used to control fauna to avoid bird strikes during takeoffs and landings. (Photo by Guillermo Granja/Reuters)

"Steve McCurry: India", co-organized by the Rubin Museum and the International Center of Photography, brings together photographs of India-its people, monuments, landscapes, seasons, and cities. The exhibition at the Rubin Museum in New York runs from November 18, 2015 – April 4, 2016. Here: A boy in mid-flight in Jodhpur, Rajasthan, India, in 2007. (Photo by Steve McCurry)

Mr. Grindell Matthews with his latest invention, the new photographic gun which is the latest development in sky signs. 1933. It can throw a beam of light 15 miles into the sky. (Photo by Fox Photos)

Photographer Loes Heerink spent hours waiting on bridges in Hanoi to capture the street vendors who walked underneath. She recently launched a Kickstarter project to publish a book of these images. Here: “In Hanoi there are a lot of street vendors who roam the city with their bicycles trying to sell goods, from vegetables to flowers”. (Photo by Loes Heerink/The Guardian)

A visitor and an employee dressed as Snegurochka (Snow Maiden), the granddaughter of Ded Moroz (Russian equivalent of Santa Claus), pose for a picture inside an upside down house, constructed as an attraction for local residents and tourists and located at the Royev Ruchey Park of Flora and Fauna in the suburbs of Krasnoyarsk, Russia, December 7, 2016. (Photo by Ilya Naymushin/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)