Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

A tattoo artist applying ink on a girl' s arm during the 2017 Moscow Tattoo Festival at Moscow' s Amber Plaza Shopping Center in Moscow, Russia on April 1, 2017. Tattoo artists from all over the world take part in the event. The festival' s program includes a tattoo contest, body taping art marathon, masterclasses, round table discussions and conferences. (Photo by Valery Sharifulin/TASS)

Using his camera skills, Marc meters the background sky in order to achieve the beautiful black silhouettes of the wildlife, Africa, 2010-2016. (Photo by Marc Mol/Barcroft Images)

A herd of wildebeest cross the skyline against the fading light in Masai Mara, Kenya, 25 August 2017. Stunning sunset photos silhouette Africa’s wildlife against streaks of orange and red sky. In August, German photographer Ingo Gerlach was on safari in the Masai Mara when he convinced his safari guide to stop and take in the sunset. The wildlife photographer was rewarded with his patience by an eye-catching sunset, which cast Africa’s wildlife into dark shadows against the vibrant skies. (Photo by Ingo Gerlach/Barcroft Images)

A seal playfully tries to bite the camera, taken on February 2016 in Plettenberg Bay, South Africa. A group of friendly seals get up close and personal with the camera. The pod of brown fur seals, also known as “cape fur seals”, were shot in Plettenberg Bay in South Africa by dive tour operator Rainer Schimpf. The playful creatures prove they are not camera shy in the slightest as they they swim upside down, grin widely and attempt to bite the camera lens. (Photo by Rainer Schimpf/Barcroft Media)

Ranger trainees and trainee dogs simulate an ambush against rhino poachers at the Paramount Group Anti-Poaching training and K9 (canine) academy on November 26, 2014 in Magaliesberg, South Africa. One of the largest of its kind in Africa, the Academy will address the ever increasing need for training of Conservation Officers in anti poaching activities, wildlife contraband detection, specialist K9 solutions and Ranger K9 handler training – all of which have proven success rates in combatting and apprehending poachers and their activities. (Photo by Gianluigi Guercia/AFP Photo)

Visitors to Salisbury Cathedral stop to look at Sean Henry's sculpture Standing Man (2007) currently being exhibited in the Cloisters on August 2, 2011 in Salisbury, United Kingdom. The exhibition, “Conflux: A Union of the Sacred and the Anonymous”, features over 20 contemporary sculptures of dramatically different scales occupying vacant plinths and open spaces on both the inside and exterior of the iconic 13th century building. This exhibition brings to the Cathedral the biggest single group of polychrome sculpture since the Reformation and runs until the end of October. (Photo by Matt Cardy/Getty Images)

A close up of a caracal lynx's face looking into a camera on January 2014 in Western Cape, South Africa. (Photo by Dale Morris/Barcroft Media)