Professional conceptual category winner. Greetings from Mars, by Julien Mauve, France. Mauve says: “I have always wondered what it would be like to discover a totally different world ... and to photograph it for the first time as if I was Ansel Adams. So I came up with this project, which is about space exploration and discovery. But it’s also about our behavior in front of landscapes and how we create pictures that will share our personal story with the world”. (Photo by Julien Mauve)

A Virgin Atlantic passenger plane flies in the sky with the moon seen in the background, in London, Britain January 19, 2016. (Photo by Toby Melville/Reuters)

A robin perches on a spade handle in a garden on a rainy day in Lixwm, north Wales. Researchers said this week that when European robins are subjected to human-produced noise, their behaviour changes. (Photo by DGDImages/Alamy Live News)

A bomb-laden Su-25 jet at the Hmeimim air base in December 2015. Russia's lease agreement obliged Assad’s military to safeguard the perimeter of the Hmeimim base, while giving Moscow legal jurisdiction over the facilities inside. Negotiating perimeter protection from Syria’s new rulers will be vital for the Russian bases in an era of wire-controlled drones immune to jamming. (Photo by AP Photo)

The iconic Otley Run starts at Woodies pub in Far Headingly and finishes at The Dry Dock at the edge of Leeds, UK city centre on August 24, 2025. Hundreds of rowdy drinkers take to the streets this weekend. (Photo by NB Press LTD)

The first load of passengers queuing for the Bennie Railplane in Glasgow; the inventor George Bennie is third in the queue. The streamlined cars are self propelled, driven by air screws in front and behind, and hang from a steel girder. (Photo by J. A. Hampton/Topical Press Agency/Getty Images). 4th July 1930

A person practices ski-joering at the Avoriaz resort in the French Alps on February 11, 2021. (Photo by Jeff Pachoud/AFP Photo)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)