Actress Edy Williams attends the 58th Annual Academy Awards on March 24, 1986 at Dorothy Chandler Pavilion in Los Angeles, California. (Photo by Ron Galella/WireImage)
If you are interested, the Korean call this style Trot (ppongjjak); a very simple life story is told with three guitar chords – quite a typical situation for our planet. Long-legged dolls from LPG (by the way, “Lovely Pretty Girls” could be “Long Pretty Girls”) are certainly smiling, though it would have been more logical for them to cry their hearts out, but that's what the Korean are like; who has seen doramas, will understand.
LITTLE BIG – EVERYBODY (Little Big Are Back) Official Music Video. Little Big is a Russian rave band founded in 2013 in Saint Petersburg. The team calls itself a satirical art collaboration, which relies on the music, visuals, and the show. The band was influenced by a variety of musicians from Cannibal Corpse, NOFX, Red Hot Chili Peppers, Rammstein, and The Prodigy to Mozart and Vivaldi.
Erzhena Zhamyanova (“Amar Sain” theater) and Buryat folk instruments orchestra – Dance Monkey. “Dance Monkey” is a song by Australian singer Tones and I, released on May 10, 2019 as the second single (first in the US) from Tones and I's debut EP The Kids Are Coming.
宇多田ヒカル (Utada Hikaru) –One Last Kiss. Utada Hikaru is a Japanese-American singer-songwriter and producer. By the end of the 2000s, Utada was deemed “the most influential artist of the decade” in the Japanese music landscape by The Japan Times. Utada's commercial success has made her one of Japan's top-selling recording artists of all time.
王梓鈺 (王梓钰) – 音阙诗听 – 惊蛰【24节气系列歌曲】. Wang Ziyu is a female singer from Mainland China and a member of the music club Yinqueshi Listening. Representative works include “Jingzhe”.
People ride a prototype of a driverless vehicle as it is moves through a pedestrian area in Greenwich, east London, February 11, 2015. Britain has begun testing driverless cars in four cities, launching the first official trials ahead of a series of planned rule reviews to accommodate the new technology. (Photo by Suzanne Plunkett/Reuters)
A gallery assistant poses with the 1972 work “Secretary” at a press viewing of the artist's exhibition “Allen Jones RA” at the Royal Academy of Arts in London November 11, 2014. (Photo by Neil Hall/Reuters)