An artist has discovered a bizarre way to create his work – by coating the feet of insects with paint who then crawl across the canvas creating intricate pieces of art. (Photo by Caters News)
A man dressed as Hindu god Shiva, smokes during an annual Hindu religious festival locally known as Shyam Baba festival in Ajmer, in the desert Indian state of Rajasthan, April 12, 2015. (Photo by Himanshu Sharma/Reuters)
In this photo taken Tuesday, April 14, 2015, immigrant men armed with machetes make their way onto a Durban, South Africa, street during clashes with police and in search of locals that attacked foreign shop owners in the city center. (Photo by Tebogo Letsie/AP Photo)
Charlotte Bridgeman poses for a series of triptych portraits during New York Fashion Week February 6, 2014. Bridgeman, from Australia, is attending her second fashion week. (Photo by Carlo Allegri/Reuters)
Two men standing on a high catwalk, surveying the construction of the Brooklyn Bridge, with Manhattan in the background, New York City, 1877. (Photo by Museum of the City of New York/Archive Photos/Getty Images)
Armed with only paper, graphite and coloured pencils – plus his vivid imagination – the artist creates remarkable drawings that leap from the page when photographed. The 32-year-old, from Alkmaar in Holland, began experimenting with anamorphic 3D drawing five years ago. Photo: Ramon Bruin’s 3D illustration of two twins drawing each other. (Photo by Ramon Bruin/Medavia)
“Kopi luwak (Malay pronunciation), or civet coffee, is one of the world's most expensive and low-production coffee. It is made from the beans of coffee berries which have been eaten by the Asian Palm Civet (Paradoxurus hermaphroditus) and other related civets, then passed through its digestive tract. ...
Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)