“A Balinese man shows off his pride and joy, a fighting cock, while on a cigarette break after a morning’s work in nearby fields”. (Photo by Coltrane Koh/The Guardian)

Cropped shot of a woman flirtatiously touching leg of man in a suit with her foot under the table. (Photo by LightField Studios/Skyfish Digital Media/Getty Images)

Sunrise over Maridalsvannet in the forest areas near the outskirts of Oslo, the capital of Norway. Winter is approaching, the first snow covers the ground, and the water has already got a thin layer of ice. The temperature is significantly below the freezing point, the air is clear and the sun colors the morning clouds in deep tones. (Photo by Tore-Thiis-Fjeld/Getty Images)

“In beard and hat”; Udine, Friuli-Venezia Giulia, Italy, 2013. (Photo by Giulio Magnifico)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

Photographer Loes Heerink spent hours waiting on bridges in Hanoi to capture the street vendors who walked underneath. She recently launched a Kickstarter project to publish a book of these images. Here: “In Hanoi there are a lot of street vendors who roam the city with their bicycles trying to sell goods, from vegetables to flowers”. (Photo by Loes Heerink/The Guardian)

TV Personality Courtney Stodden attends OK! Magazine's pre-GRAMMY event at Avalon Hollywood on February 9, 2017 in Los Angeles, California. (Photo by Splash News and Pictures)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)